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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Thomson, Virgil

Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.
Source: Magazine
Reprints:

Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.

VI. Topical Studies
S. Reception Studies and Related Scholarship

Tick, Judith

Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Timreck, Theodor W.

Year: 1977
Complete Citation:
Timreck, Theodor W., director and producer. “A Good Dissonance Like a Man.” Made-for-television movie. Under the supervision of Vivian Perlis, 1977.
Source: Made-for-television movie
B. Films

Usmanbas, Ilhan

Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Vinay, Gianfranco

Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Von Glahn, Denise

Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.
Notes:

In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.

Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

von Rhein, John

Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Wallner, Bo

Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.
Notes:

Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.

Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Weiler, A.H.

Year: 1977
Complete Citation:
Weiler, A.H. “Film Forum: Charles Ives and Harry Partch, 2 Originals.” The New York Times, April 22, 1977, 73.
Source: Newspaper
B. Films

Weiss, Adolph

Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Whitesell, Lloyd

Year: 1994
Complete Citation:
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Zaher, Noel

Year: 1990
Complete Citation:
Zaher, Noel. “Letter to the editor.” Perspectives of New Music 28, no.2 (Summer 1990): 331--332.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Zahler, Noel

Year: 1990
Complete Citation:
Zahler, Noel. “Correspondence.” Perspectives of New Music 28/2 (Summer 1990): 331-332.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Zijlstra, Miep

Year: 1969
Complete Citation:
Zijlstra, Miep. “Besprekingen en Berichter.” Mens en Melodie 24, no. 11, November 1969, 349.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

no author listed

Year: 1955
Complete Citation:
“The Stuff of Success.” Newsweek 45 (January 17, 1955): 90-91.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1960
Complete Citation:
“Unanswered Question of Charles Ives.” The Times. November 4, 1960, 16.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1970
Complete Citation:
Virgil Fox Plays the Wanamaker Grand Court Organ, Philadelphia. See- Music DVD (SMD-042; 2004). From "La Belle Epoque," Camera Three television program WCBS-TV, 1970 Fall {E290}. Includes Variations on "America."
Source: DVD
B. Films
Year: 1974
Complete Citation:
“In Tribute to Charles Edward Ives on the 100th anniversary of his birth.” Current Musicology No. 18, 1974: 69-119.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1978
Complete Citation:
“A Good Dissonance Like A Man.” Call and Post, September 2, 1978, 19A.
Source: Newspaper
B. Films
Year: 1998
Complete Citation:
20th Century Music for Two Pianos. Videocassette (1998 Loft Music); Pioneer Classics, DVD PC 10524D, 2000.
Notes:

Includes Three Quarter--Tone Pieces for two pianos (Joseph and Anthony Paratore, duo--pianists).

Source: DVD
XV. Television Broadcasts, Films, and Videocassettes
B. Films