Dayton. Daryl D
Year: 1975-1976
Complete Citation:
Dayton, Daryl D. “Charles Ives in the USIA.” Student Musicologists at Min-nesota 6 (1975-76): 87-94.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Dickinson, Peter
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” Musical Times 115/1580 (October 1974): 836-838.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Downes, Olin
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.Notes: <i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.Source: Newspaper
Reprints: In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Dwinell, Paul
Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Eidenbenz, Michael
Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Elliott Schwartz and Barney Childs, eds.
Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Erskine, Halley
Year: 1951
Complete Citation:
Erskine, Halley. Photographs. Spring, 1951. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 50, 57, and 859-860. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints: The full collection consists of eighty-four photographs of Ives alone or with Mrs. Ives at their West Redding home. Some have appeared as covers of recordings and in magazines as well as in several books. [Date determined from letter from Ms. Erskine to Ives (in the Charles Ives Papers at Yale University) and a letter to Ms. Erskine from Harmony Ives (in the James Mack Burk Col-lection).]
XVI. Photographs and Artwork
A. Photographs
Ewen, David
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Feder, Stuart
Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Fiender, Reinhard
Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Finn, Geraldine
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Fosler-Lussier, Danielle
Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Friedlander, Lee
Year: 1960
Complete Citation:
Friedlander, Lee. Ives Country. 1960. In Charles Ives: Symphony No. 2. Columbia, KS 6155, 1960, 33.3 RPM.Source: Photograph
Reprints: Taken for Columbia record shows many scenes around the Ives home in West Redding, CT. [No original photographs of Ives.]
XVI. Photographs and Artwork
A. Photographs
Gann, Kyle
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Gerratana, Frank
Year: 1947
Complete Citation:
Gerratana, Frank. Ives in front of a bookcase. May, 1947. Photograph. Bettman Archive, p. 11320.Notes: At the time Gerratana was photographer for the Bridgeport (CT) Herald.
Source: Photograph
Reprints: Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>, frontispiece. New York, NY: Oxford University Press, 1966.
XVI. Photographs and Artwork
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Ives by a window. May, 1947. Photograph. Charles Ives: Symphony No. 2. Columbia ML 6289/MS 6889, 33.3 RPM (1960).Source: Photograph
Reprints: Postcard by Fotofolio (ca. 2006).
XVI. Photographs and Artwork
A. Photographs