Howard, John Tasker
Year: 1931
Complete Citation:
Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Hughes, Don Anselm
Year: 1954
Complete Citation:
Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Kerman, Joseph
Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.Notes: For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Lang, Paul Henry
Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.Notes: Scattered passing references.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Layton, Robert
Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.Notes: “His works show an extraordinary admixture of sheer genius and downright incom-petence.”
Source: Chapter in Book
Reprints: Revised and Enlarged Edition, 1968: 232-240.
VII. Entries in Larger Volumes
A. Textbook Accounts
Levene, Donna B.
Year: 2004
Complete Citation:
Levene, Donna B. “Charles Ives, 1874- 1954.” In American Musicians Making History, 172-179. Portsmouth, NH: Teacher Ideas Press, 2004.Notes: Provides outlines listings materials for study by middle--school and high--school students.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Machlis, Joseph
Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Mortenson, Gary Curtis
Year: 1987
Complete Citation:
Mortenson, Gary C. “Father to Son: The Education of Charles Ives.” Music Educator's Journal 73/7 (March 1987): 33-37.Source: Journal
VI. Topical Studies
T. Ives in Music Education
Rappaport, Howard
Year: 2005
Complete Citation:
Rappaport, Howard. “The Infinite Variety of Listening Logs: Your Students May Astound You.” Music Educators Journal 91/3 (2005): 29-33.Source: Journal
VI. Topical Studies
T. Ives in Music Education
Rectanus, Hans
Year: 1985
Complete Citation:
Rectanus, Hans. “Wechsel der Unterrichtsformen unter Einbeziehung verschiedener Medien als didaktische Notwendigkeit im Musikunterricht,” 101-111. In Medieninvasion: die Kulturpolitische Verantwortung der Musikerziehung. Mainz, Germany: Schott, 1985.Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Routh, Francis
Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.VII. Entries in Larger Volumes
A. Textbook Accounts
Sadie, Stanley, and Alison Latham, ed.
Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.Notes: The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Salzman, Eric
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.Source: Chapter in Book
Reprints: Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.Source: Book
Reprints: Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.
VII. Entries in Larger Volumes
A. Textbook Accounts
Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Schafer, R. Murray
Year: 1967
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” Ear Clearing: Notes for an Experimental Music Course, 31-36. Don Mills, Ontario: BMI Canada Limited, 1967.Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Year: 1976
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In Creative music education: a handbook for the modern music teacher. New York, NY: Schirmer Books, 1976.Source: Book
VI. Topical Studies
T. Ives in Music Education
Year: 1988
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In The Thinking Ear: Complete Writings on Music Education. Indian River, Ontario, Canada: Arcana Editions, 1988.Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Simms, Bryan R.
Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.Notes: Accompanying CD includes Charlie Rutlage and from Paracelsus.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Slominsky, Nicolas
Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.Source: Book
Reprints: Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.
VII. Entries in Larger Volumes
A. Textbook Accounts