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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Martin, John

Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

McDonagh, Don

Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Mortenson, Gary Curtis

Year: 1987
Complete Citation:
Mortenson, Gary C. “Father to Son: The Education of Charles Ives.” Music Educator's Journal 73/7 (March 1987): 33-37.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Ogden, Gail

Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Rappaport, Howard

Year: 2005
Complete Citation:
Rappaport, Howard. “The Infinite Variety of Listening Logs: Your Students May Astound You.” Music Educators Journal 91/3 (2005): 29-33.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Rectanus, Hans

Year: 1985
Complete Citation:
Rectanus, Hans. “Wechsel der Unterrichtsformen unter Einbeziehung verschiedener Medien als didaktische Notwendigkeit im Musikunterricht,” 101-111. In Medieninvasion: die Kulturpolitische Verantwortung der Musikerziehung. Mainz, Germany: Schott, 1985.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education

Regner, Otto Friedrich

Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Riedel, Johannes

Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schafer, R. Murray

Year: 1967
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” Ear Clearing: Notes for an Experimental Music Course, 31-36. Don Mills, Ontario: BMI Canada Limited, 1967.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Year: 1976
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In Creative music education: a handbook for the modern music teacher. New York, NY: Schirmer Books, 1976.
Source: Book
VI. Topical Studies
T. Ives in Music Education
Year: 1988
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In The Thinking Ear: Complete Writings on Music Education. Indian River, Ontario, Canada: Arcana Editions, 1988.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education

Schulman, Jennie

Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schwarz, K.R.

Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sloat, Susanna

Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.
Notes:

Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Snapp, Kenneth

Year: 1977
Complete Citation:
Snapp, Kenneth. “Build a Band—And Educate It, Too.” Instrumentalist 32/2 (September 1977): 52-53.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Sokolow, Anna, choreographer

Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Steele, Mike

Year: 1990
Complete Citation:
Steele, Mike. “Paul Taylor Proves again He's among the Best Choreographers: METRO Edition.” Star Tribune, February 5, 1990.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews