decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Noroa, Daniel Quiroga

Year: 1996
Complete Citation:
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy

O’Reilly, F. Warren

Year: 1976
Complete Citation:
O'Reilly, F. Warren. South Florida’s Historic Festival 1974-1976. Coral Gables, FL: University of Miami, 1976.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “An Introduction to Charles Ives.” Pre-concert talk at The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Pre-concert talk.
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Pitney, Robert

Year: 1932
Complete Citation:
Pitney, Robert. “Musical Chronicles: Yaddo and Gurre.” Hound and Horn 5 (July-September 1932): 666.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Reilly, Warren F., ed.

Year: 1976
Complete Citation:
Reilly, Warren F. South Florida's Historic Ives Festival, 1974-1976. Coral Gables, FL: University of Miami, 1976.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Riedel, Johannes, ed.

Year: 1970
Complete Citation:
Riedel, Johannes, ed. Ives at Minnesota. Minne-apolis, MN: Festival at the University of Minnesota, April-May, 1970.
Source: Program Book for Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rossiter, Frank R.

Year: 1977
Complete Citation:
Rossiter, Frank R. “Charles Ives: Good American and Isolated Artist.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 16-28. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rostand, Claude

Year: 1970
Complete Citation:
Rostand, Claude. Autour de Charles Ives, 1874-1954: exposition du vendredi 24 avril au samedi 16 mai 1970: Centre culturel américain, 3, rue du Dragon, Paris 6. Paris, France: Centre Culturel Américain, 1970.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rothstein, Edward

Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Schuman, William

Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Notes:

A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.

Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Shackelford, Rudy

Year: 1978
Complete Citation:
Shackelford, Rudy. “The Yaddo Festivals of American Music, 1932-1952.” Perspectives of New Music, vol. 17, no. 1 (1978): 92-125.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Sherman, R.

Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sherwood, Gayle

Year: 2005
Complete Citation:
Sherwood, Gayle, chair. “Charles Ives [Panel].” Panel at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Swafford, Jan

Year: 1999
Complete Citation:
Swafford, Jan. “Charles Ives the Commuter.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Conference Keynote Address

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Swed, Mark

Year: 2020
Complete Citation:
Swed, Mark. “The Ives of March; Dudamel Brings the Power with an Early 20th Century Firebrand.” The Los Angeles Times, March 5, 2020.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 2020
Complete Citation:
Swed, Mark. “Culture Monster; Music Review; Remastered Hits; Gustavo Dudamel Presents a Bold Theory in Dvorak-Ives Pairing.” The Los Angeles Times, February 26, 2020.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Terse, Paul

Year: 1987
Complete Citation:
Terse, Paul. Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschr. zur Ausstellung Niederrheinisches Museum d. Stadt Duisburg, 13. September bis 1. November 1987. Duisburg, Germany: Stadt Duisburg, 1987.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Walcott, Penelope

Year: 2005
Complete Citation:
Walcott, Penelope. “Talking around Ives.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Wallach, Laurence

Year: 1975
Complete Citation:
Wallach, Laurence. “The Ives Conference: A Word from the Floor.” Current Musicology, no. 19 (1975): 32-36.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences