Schulman, Jennie
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Schuman, William
Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.Notes: A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Schwarz, K.R.
Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Sherman, R.
Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Sloat, Susanna
Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.Notes: Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Sokolow, Anna, choreographer
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Steele, Mike
Year: 1990
Complete Citation:
Steele, Mike. “Paul Taylor Proves again He's among the Best Choreographers: METRO Edition.” Star Tribune, February 5, 1990.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Supree, B.
Year: 1988
Complete Citation:
Supree, Burt. “Dance: Blah Blah Blah Suffering (Scenes from the Music of Charles Ives).” Village Voice 30. De-cember 31, 1988: 79.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Szersnovicz, Patrick
Year: 2013
Complete Citation:
Szersnovicz, Patrick. “Les DVD: Andris Nelsons.” Diapason: le magazine du disque et de la musique vivante (2013): 118.Source: Magazine
D. Reviews
Terry, Walter
Year: 1955
Complete Citation:
Walter Terry. “Dance: New York City Ballet.” The New York Times, March 7, 1955, 8.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Wechsler, Bert
Year: 1993
Complete Citation:
Volume 1 and 2, Performance: 1993 October 7--10: New York; St. Mark's Church; Dance Studio. Review: Bert Wechsler. (1993 October 71).Source: Pamphlet
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
no author listed
Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Complete Citation:
Mandel, Howard.
“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1965
Complete Citation:
“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1966
Complete Citation:
“Move Composer's Home.” The Hartford Courant, September 20, 1966, 33D.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1976
Complete Citation:
Steinberg, Michael. “Arts & Films: Foster and Ives Blended at Dartmouth Review/Music.” Boston Globe, 1976, 29.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews