Image
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.
Bibliography
Genres
Chase, Gilbert
Year: 1966
Source: Chapter in Book
Reprints:
Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Clendenin, William R.
Year: 1965
Complete Citation:
Clendenin, William R. Music, History and Theory, 392-393. Garden City, NY: Doubleday, 1965.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds.
Year: 1960
Complete Citation:
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds. “Charles Ives.” In Atlas historique de la musique. Paris, France: Elsevier 1960. Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Collaer, Paul; Sally, Abeles, translator
Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Cooke, Deryck
Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Cowell, Henry Dixon
Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Cowell, Sidney
Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Croce, Arlene
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).Notes:
Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Dahlhaus, Carl
Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.Notes:
Cites Concord Sonata's “random accumulation of dissonance.”
Source: Book
Reprints:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Demuth, Norman
Year: 1952
Complete Citation:
Demuth, Norman. Musical Trends in the Twentieth Century. London, United Kingdom: Rockliff, 1952.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Denby, Edwin
Year: 1954
Complete Citation:
Reviews: Edwin Denby. "Balanchine's American Ballet [Ivesiana]." Center 1 (October 1954): 14--18.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Dingle, Christopher
Year: 2013
Complete Citation:
Dingle, Christopher. “DVD and Blu-Ray Review: From the New World.” BBC Music Magazine, Vol. 22, No. 2 (2013): 104.Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews
D. Reviews
Dunning, Jennifer
Year: 1983
Complete Citation:
Dunning, Jennifer. “Dance: ‘Calcium Light’ Performed by City Ballet.” The New York Times, June 26, 1983, 45.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1992
Complete Citation:
Dunning, Jennifer. “Extracting the Essence of Charles Ives.” The New York Times, February 8, 1992, 16.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1998
Complete Citation:
Dunning, Jennifer. “Dance Review; Venturing out to the Limits of Partnering.” The New York Times. June 13, 1998, sec. B: 7.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of Americana Gar-nished with Russian.” The New York Times (February 4, 2000) sec. E, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Eberson, Sharon
Year: 2013
Complete Citation:
Eberson, Sharon. “Hoops and Harmony City's ‘Charles Ives Take Me Home’ Pits Musical Father Against Athletic Daughter.” Pittsburgh Post-Gazett, November 14, 2013.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Ewen, David
Complete Citation:
Ewen, David. David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 2, 6, 105, 190, 282. New York, NY: Chilton Publishing, 1969.Notes:
Additional mentions of Charles Ives.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts