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Bibliography

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Rudgers, Gregory B.

Year: 2015
Complete Citation:
Rudgers, Gregory B. “Variations on “America,” by Charles Ives, Transcribed by William E. Rhoads, Based on the Orchestra Version by William Schuman.” School Band and Orchestra, Vol. 18, No. 8 (2015): 53.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Sabin, Robert

Year: 1949
Complete Citation:
Sabin, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America (June 1949) 49/8: 28.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Schaefer, Theodore

Year: 1950
Complete Citation:
Schaefer, Theodore. “1. Chanson de Florian. 2. It Strikes Me That... 3. The Light That Is Felt.” Notes 7, no. 4 (September 1950): 636-637.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Seeger, Charles

Year: 1950
Complete Citation:
Seeger, Charles. Review of “Hallowe’en, from ‘Three Outdoor Scenes,’ for 2 violins, viola, cello, piano.” Notes 7, no. 3 (June 1950): 432.
X. Editing Practices and Articles Regarding Published Editions
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Siebert, Mark

Year: 1957
Complete Citation:
Siebert, Mark. “Psalm XXIV.” Notes 14, no. 4 (September 1957): 618-619.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1963
Complete Citation:
Siebert, Mark. “They Are There: A War Song March, 1917.” Notes 20, no. 4 (1963): 565-566.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Simms, Bryan R.

Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.
Notes:

Accompanying CD includes Charlie Rutlage and from Paracelsus.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Slominsky, Nicolas

Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.
Source: Book
Reprints:

Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.

VII. Entries in Larger Volumes
A. Textbook Accounts

Smith, Rollin

Year: 2013
Complete Citation:
Smith, Rollin. “Music Review: Charles E. Ives: Complete Organ Music.” The American Organist, Vol. 47, No. 1 (2013): 82-83.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Snedeker, Jeffrey

Year: 2014
Complete Citation:
Snedeker, Jeffrey. “Music and Book Reviews: “Five Songs of Charles Ives,” arranged for horn and piano by Ian Zook.” The Horn Call: Journal of the International Horn Society, Vol. 44, No. 2 (2014): 78.
Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
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Starr, Larry

Year: 1991
Complete Citation:
Starr, Larry. “Review of ‘Decoration Day’ by Charles Ives.” Notes 47/3 (March 1991): 959-961.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Stevens, Halsey

Year: 1954
Complete Citation:
Stevens, Halsey. Review of “Scherzo (Over the Pavements). For chamber orchestra. Performable also as chamber music.” Notes 12, no. 2 (December 1954): 326.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
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Stevenson, Robert

Year: 1949
Complete Citation:
Stevenson, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America, Vol. 69 (June 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Stolba, K. Marie

Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.
Notes:

Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.

Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Stone, Kurt

Year: 1964
Complete Citation:
Stone, Kurt. Review of Charles Ives: Washington’s Birthday. Hallowe’en; The Pond; Central Park in the DarkThe Musical Quarterly, vol. 50, no. 1, 1964, 115-122.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
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