Routh, Francis
Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.VII. Entries in Larger Volumes
A. Textbook Accounts
Sadie, Stanley, and Alison Latham, ed.
Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.Notes: The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Salzman, Eric
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.Source: Chapter in Book
Reprints: Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.Source: Book
Reprints: Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.
VII. Entries in Larger Volumes
A. Textbook Accounts
Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Selnick, P.
Year: 1949
Complete Citation:
Selnick, P. Sketch. New York Times Magazine (1949 October 23): 15.Source: Magazine
XVI. Photographs and Artwork
B. Artwork
Shilstone, Arthur
Year: 1974
Complete Citation:
Shilstone, Arthur. Portrait. “Timmins’ Works Highlight the Life of Charles Ives.” Redding Pilot, June 13, 1974.Source: Newspaper/Magazine
XVI. Photographs and Artwork
B. Artwork
Simms, Bryan R.
Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.Notes: Accompanying CD includes Charlie Rutlage and from Paracelsus.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Slominsky, Nicolas
Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.Source: Book
Reprints: Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.
VII. Entries in Larger Volumes
A. Textbook Accounts
Stolba, K. Marie
Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.Notes: Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Summers, Leo R.
Complete Citation:
Summers, Leo R. Sketch. In The Arts: A Guide to Painting, Sculpture, Architecture, Music and Theater, by Michael Rheta Martin. Indianapolis, IN: Bobbs-Merrill, 1965.Notes: Based on a photograph by Frank Gerratana.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Sussman, Richard
Complete Citation:
Sussman, Richard J. “Illustration of Ives and other contemporary com-posers in a collage.” Music Journal 24/3 (March 1966): cover.Source: Illustration
Reprints: Reproduced: Jack Sherin, cover designer; Ray Diorio, photographer.
XVI. Photographs and Artwork
B. Artwork
Taruskin, Richard
Year: 2005
Complete Citation:
Taruskin, Richard. The Oxford History of Western Music: The Early Twentieth Century, 245-292. Vol. 4 of The Oxford History of Western Music. Oxford, United Kingdom: Ox-ford University Press, 2005.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2010
Complete Citation:
Taruskin, Richard. Music in the Early Twentieth Century, 243-302. Volume 4 of Oxford History of Western Music. New York, NY: Oxford University Press, 2010.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. American Music since 1910. New York, New York: Holt, Rinehart and Winston, 1971.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Victor, Jini
Year: 1974
Complete Citation:
Victor, Jini. Montage. The New York Times, October 20, 1974, sec. D, 21, 26.Source: Sculpture
Reprints: Shown as illustration in the article “Charles Ives, Musical Inventor” by Jonathan Cott.
XVI. Photographs and Artwork
B. Artwork
Von Glahn, Denise
Year: 2008
Complete Citation:
Von Glahn, Denise. “Charles Ives at “Christo's Gates.”” Twentieth Century Music, Vol. 5, No. 2 (2008): 157-178.Source: Journal
XVI. Photographs and Artwork
B. Artwork
von Kager, Erica
Year: 1977
Complete Citation:
von Kager, Erica. Portrait, oil painting, before 1977.Notes: Based on a Halley Erskine photograph.
Source: Painting
XVI. Photographs and Artwork
B. Artwork
Watson, Leda
Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.Notes: Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].
Source: Collage
XVI. Photographs and Artwork
B. Artwork
Wennerstrom, Mary
Year: 1969
Complete Citation:
Wennerstrom, Mary. Anthology of Twentieth-Century Music. New York, NY: Appleton-Century-Crofts, 1969.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts