Regner, Otto Friedrich
Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Riedel, Johannes
Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Riemann, Hugo
Year: 1968
Complete Citation:
Riemann, Hugo. Riemann Musik Lexikon, edited by Wilibald Gurlitt, 857--858. Vol. 1. 12th ed. Mainz, Germany: B. Schott, 1968.Notes: A compact, but useful, unsigned article with a substantial list of works and a brief biography.
Source: Book/Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Rodgers, Harold A.
Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Schulman, Jennie
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
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Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).Source: Magazine
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Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Schwarz, K.R.
Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.Source: Newspaper
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D. Reviews
Sloat, Susanna
Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.Notes: Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
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Slominsky, Nicholas
Year: 1957
Complete Citation:
Slominsky, Nicholas. “Ives, Charles.” In Die Musik in Geschichte und Gegenwart, vol. 6 (1957): 1574-1580.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Slonimsky, Nicolas
Year: 1989
Complete Citation:
Slonimsky, Nicolas. Lectionary of Music: An Entertaining Reference and Reader’s Companion. New York, NY: McGraw-Hill, 1989.Notes: Numerous cita-tions to Ives’s compositions as examples.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Sokolow, Anna, choreographer
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.
Source: Performance (ballet)
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Steele, Mike
Year: 1990
Complete Citation:
Steele, Mike. “Paul Taylor Proves again He's among the Best Choreographers: METRO Edition.” Star Tribune, February 5, 1990.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
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Supree, B.
Year: 1988
Complete Citation:
Supree, Burt. “Dance: Blah Blah Blah Suffering (Scenes from the Music of Charles Ives).” Village Voice 30. De-cember 31, 1988: 79.Source: Newspaper
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D. Reviews
Szersnovicz, Patrick
Year: 2013
Complete Citation:
Szersnovicz, Patrick. “Les DVD: Andris Nelsons.” Diapason: le magazine du disque et de la musique vivante (2013): 118.Source: Magazine
D. Reviews
Terry, Walter
Year: 1955
Complete Citation:
Walter Terry. “Dance: New York City Ballet.” The New York Times, March 7, 1955, 8.Source: Newspaper
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Wechsler, Bert
Year: 1993
Complete Citation:
Volume 1 and 2, Performance: 1993 October 7--10: New York; St. Mark's Church; Dance Studio. Review: Bert Wechsler. (1993 October 71).Source: Pamphlet
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no author listed
Notes: Unsigned online article with biography, list of compositions, discography, and bibliography.
Source: Online Article
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."XII. Interdisciplinary Performances with Ives’s Music
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Complete Citation:
Mandel, Howard.
“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.Source: Newsletter
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