Image
Complete Citation:
Bauer, Marion. 20th Century Music: How It Developed, How to Listen to It, 278. New York, NY: G.P. Putnam’s Sons, 1933.
Bibliography
Genres
Bauer, Marion
Year: 1933
Source: Book
Reprints:
Bauer, Marion. <i>20th Century Music: How It Developed, How to Listen to It</i>, 278. New York, New York: Da Capo Press, 1978, 278.
VII. Entries in Larger Volumes
D. Other
D. Other
Blume, Friedrich
Year: 1975
Complete Citation:
Blume, Friedrich. Epochen der Musikgeschichte. Munich, Germany: Deutscher Taschenbuch Verlag, 1975.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Buckley, Dan
Year: 1998
Complete Citation:
Dan Buckley. “Slatkin Speaks.” Stereophile (March 1998): 85--87.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Clendenin, William R.
Year: 1965
Complete Citation:
Clendenin, William R. Music, History and Theory, 392-393. Garden City, NY: Doubleday, 1965.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Dickey, Jessica
Year: 2015
Complete Citation:
Dickey, Jessica. Charles Ives Take Me Home. London, United Kingdom: Samuel French, 2015.Notes:
Published stage play
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Eatock, Colin
Year: 2013
Complete Citation:
Eatock, Colin. “Marc-Andre Hamelin on the Road Less Travelled.” Queen’s Quarterly 120, no. 2 (Summer 2013): 290.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Ewen, David
Year: 1949
Complete Citation:
Ewen, David. American composers today, a biographical and critical guide. New York, NY: H.W. Wilson Co., 1949.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Griffiths, Paul
Year: 1994
Complete Citation:
Griffiths, Paul. Modern music: a concise history. London, United Kingdom: Thames and Hudson, 1994.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other
Henry, Derrick
Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Johnson, Axel, ed.
Year: 1934
Complete Citation:
Johnson, Axel, ed. “Ives, Charles.” The Music Lover’s Guide (February 1934): 173.Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other
D. Other
Jolly, James
Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.Notes:
A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Kaufman, Helen L.
Year: 1943
Complete Citation:
Kaufman, Helen L. “Charles Ives.” In The Story of One Hundred Great Composers. New York, NY: Grosset & Dunlap, 1943.Source: Chapter in Book
Reprints:
Kaufman, Helen L. “Charles Ives.” In <i>The Story of One Hundred Great Composers</i>, 73. New York, NY: Grosset & Dunlap, 1957.
VII. Entries in Larger Volumes
D. Other
D. Other
Majoros, David, compiler
Complete Citation:
Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-Notes:
Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Mellers, Wilfrid
Year: 1965
Complete Citation:
Mellers, Wilfrid. “Jottings of Charles Ives.” In Music in a new found land; themes and developments in the history of American music. New York, NY: A.A. Knopf, 1965.Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other
D. Other
Richard Dufallo and Brenden Gill, developers.
Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.Notes:
Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).
Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Seibert, Donald C.
Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Wise, Brian
Year: 2005
Complete Citation:
Wise, Brian. “The Flip Side of American Music.” The New York Times, November 13, 2005, 1.Source: Newspaper
VI. Topical Studies
D. Other
D. Other
Wyatt, Judith
Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.Notes:
Book review for “The Beaux Arts Trio: A Portrait”
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
no author listed
Year: 2018
Complete Citation:
“Charles Ives (1874–1954).” In Oxford Essential Quotations. Oxford, United Kingdom: Oxford University Press, 2018.Source: Book
VII. Entries in Larger Volumes
D. Other
D. Other