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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Lynn, Debra J.

Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.
Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Magee, Noel Howard

Year: 1966
Complete Citation:
Magee, Noel Howard. “The Short Piano Works of Charles Ives.” M.M. Thesis, Indiana University, 1966.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Magers, Roy V.

Year: 1975
Complete Citation:
Magers, Roy V. “Aspects of Form in the Symphonies of Charles E. Ives.” Ph.D. diss., Indiana University, 1975.
Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Maisel, Arthur

Year: 1989
Complete Citation:
Maisel, Arthur. “Conference: Ives.” Musical Times 130/106 (February 1989): 107.
Notes:

Report on meeting of the New York Chapter of the American Musicological Society in the Sulzburger Parlour of Barnard College, Columbia University, New York. Session regarding claims set forth by Maynard Solomon. H. Wiley Hitchcock, moderator, with a panel of James Sinclair, Paul Echols, Philip Lambert, J. Peter Burkholder, and Vivian Perlis. Solomon was present to respond.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Maltz, Richard Steven

Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Marstal, Henrik

Year: 1994
Complete Citation:
Marstal, Henrik. “Mahler og Ives: modernitetsaspekter: kollage-og citatanvendelser i udvalgte værker af Gustav Mahler og Charles E. Ives.” Thesis, Musikvidenskabeligt Institut, Københavns Universitet, 1994.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Martin, Warren Charles

Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Massey, Drew

Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Matter, Lothar

Year: 1988
Complete Citation:
Mattner, Lothar. “Komponierren ohne Heiligenschein: Kölner Festival: ‘Charles Ives und die amerikanische Musik.’” Neue Zeitschrift für Musik 149 (May 1988): 46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Mays, Kenneth Robert

Year: 1961
Complete Citation:
Mays, Kenneth Robert. “The use of hymn tunes in the works of Charles Ives.” M.M. Thesis, Indiana University, 1961.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCalla, James

Year: 1973
Complete Citation:
McCalla, James. “Structural and harmonic innovations in the music of Schoenberg, Stravinsky and Ives prior to 1915.” M.M. thesis, New England Conservatory of Music, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCandless, William Edgar

Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McClees, Nancy Susan

Year: 1971
Complete Citation:
McClees, Nancy Susan. “The musical of Charles Ives as applied in his trio for violin and 'cello and piano.” M.A. Thesis, Dominican College of San Rafael, 1971.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McDonald, Charlene Harb

Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.
Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McDonald, Matthew James

Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mehl, Kenneth B.

Year: 1974
Complete Citation:
Mehl, Kenneth B. “A stylistic analysis and comparison of four settings of Psalm 150: Franck, Bruckner, Ives and Hanson.” M.M. thesis, Southern Illinois University Edwardsville, 1974.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Mellers, Wilfrid

Year: 1985
Complete Citation:
Mellers, Wilfrid. “Almeida Theatre Festival.” Musical Times 126/1710 (August 1985): 478-479.
Notes:

Discusses Ives's works in general.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Metcalf, Steve

Year: 1996
Complete Citation:
Metcalf, Steve. “A Cause for Celebrity Demystifying Charles Ives, An Often Overlooked Native Son: Statewide Edition 1.” The Hartford Courant, September 30, 1996.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Ashleé Michele

Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations