Witmer, T. Carl
Year: 1929
Complete Citation:
T. Carl Witmer. “New Music.” The Musical Forecast (March 1929): 5-6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Wolf, Henry Samuel
Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.Notes: Ives is one of eight com-posers whose sonatas are discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wolffers, Jules
Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wong, Justin
Year: 2007
Complete Citation:
Wong, Justin. “A performance approach to Charles Ives' Fourth violin sonata.” M.M. Thesis, California State University, Long Beach, 2007.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Woodard, Josef
Year: 1991
Complete Citation:
Woodard, Josef. “Sounds Around Town a Different Space Composer Henry Brant, a Creator of ‘Spatial Music,’ Will Accompany Michael Ingham in an Evening of Charles Ives Songs: Ventura County Edition.” The Los Angeles Times, September 26, 1991.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Woolfe, Zachary
Complete Citation:
Woolfe, Zachary. “The Ives Songbook, Without Interruption.” The New York Times, January 16, 2012, C7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2012
Complete Citation:
Woolfe, Zachary. “The Ives Songbook, without Interruption: Review.” The New York Times, January 16, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Wright, Allan
Year: 2007
Complete Citation:
Wright, Allan. “Frank Zappa’s orchestral works: art music or “bogus pomp”?” University of Glasgow, M.M. thesis, 2007.Notes: Only one mention of Ives.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Wright, David
Year: 1996
Complete Citation:
Wright, David. “Symphonists, Native and Fervent.” The New York Times. 1996, sec. 2: 28.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Wright, Stephen
Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wulfert, Eric J.
Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.Notes: Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wyatt, Judith
Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.Notes: Book review for “The Beaux Arts Trio: A Portrait”
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Yellin, Victor Fell
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Young III, Harmon Griffith
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Young, Jerry
Year: 1990
Complete Citation:
Young, Jerry. “UT Pianist Prefers the Unusual: FINAL Edition.” Austin American-Statesman, October 20, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Young, Jerry Lee
Year: 1980
Complete Citation:
Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Z., Pamela
Year: 2000
Complete Citation:
Z., Pamela. “Concert Reviews: Talking Music at Davies Hall.” 21st Century Music, Vol. 7, No. 8 (2000): 21-22.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Zechel, Charles
Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays