Sender, Shelby L.
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Senick, John Peter
Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Service, Jr., Alfred Roy
Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.Notes: Ives is one of seven-teen composers discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sewell, Amanda Jo
Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sherwood, Gayle D.
Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Shilstone, Arthur
Year: 1974
Complete Citation:
Shilstone, Arthur. Portrait. “Timmins’ Works Highlight the Life of Charles Ives.” Redding Pilot, June 13, 1974.Source: Newspaper/Magazine
XVI. Photographs and Artwork
B. Artwork
Shulman, Ivan
Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shultis, Christopher L.
Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Silverman, Burt
Complete Citation:
Silverman, Burt illustrator. Charles Ives. In Composers and Conductors set of 32 cents stamps issued by the United States Postal Service in the “Legends of American Music” series. Issued in Cincin-nati, OH: Scott Postage Stamp Catalog, Number 3164, 1997.Source: Postage Stamp
Reprints: Illustration after a photograph by Halley Erskine; designed by Howard Paine of Delaplane, VA. Printed by Ashton-Polter (USA) Ltd. Nationwide sale on September 13, 1997.
XVI. Photographs and Artwork
C. Other
Sipprell, Clara E.
Year: 1948
Complete Citation:
Sipprell, Clara E. Portrait -photographs of Ives and his wife, alone and to-gether. 1948. Taken in her studio. In American Characters: Selections from the National Portrait Gallery Accompanied by Literary Portraits. New Haven, CT: Yale University Press, 1999: 284.Source: Photograph
Reprints: Sipprell’s photographs are held in the Amon Carter Museum in Fort Worth, TX. Syracuse University also has a collection of her photographic prints.
XVI. Photographs and Artwork
A. Photographs
Skinner, Myles L.
Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sly, Caroline Ware
Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Smith, Rebecca E.
Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Smith, W. Eugene
Year: 1947
Complete Citation:
Smith, W. Eugene. Portrait -photographs of Ives, Mrs. Ives, and Julian S. Myrick. April, 1948. Photograph. Life, October 31, 1949, 45.Notes: In the “Life Congratulates” Section for Ives’s 75th birthday. On assignment from <i>Life</i> magazine. Taken in the New York home of the Iveses. In <i>Photographs, 1934-1975</i>, Hill states that this photograph was "a particular favourite of Smith’s" (164).
Source: Photograph
Reprints: Mack Burk, James and Michael J. Budds. <i>A Charles Ives Omnibus</i>, 50. Hillsdale, New York: Pendragon Press, 2008. * Bogan Liquor. Advertisement. <i>El Commercio</i> [Quinto, Ecuador] (July 7, 1970): 10. * Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. New Haven, CT: Yale University Press, 1974. See B0687: 42-44. * <i>Photographs, 1934-1975</i>,<br>edited by Gilles Mora and John T, 165. Hill. Paris: Editions du Seuil, 1998; English translation: London: Thames and Hudson, Ltd., 1998, and New York: Harry N. Abrams, 1998. * Also reproduced: numerous times on other recording covers, and in books.
XVI. Photographs and Artwork
A. Photographs
Year: 1949
Complete Citation:
Smith, W. Eugene, “Charles Ives, a photograph.” Life Magazine. October 31, 1949, 45.Source: Magazine
XVI. Photographs and Artwork
A. Photographs
So, Carolyn U.
Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sole, Kenneth Gale
Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations