Wilson, Donald M.
Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wilson, Donald Malcolm
Year: 1962
Complete Citation:
Wilson, Donald Malcolm. “Tone Roads No. 1: An Analysis.” Term paper, Cornell University, 1962.Notes: Copy in Charles Ives Papers at Yale University.
Source: Term Paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Wilson, Lawrence
Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wilson, P.T.
Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Winters, Thomas Dyer
Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wirt, Ronald L.
Year: 1976
Complete Citation:
Wirt, Ronald L. “Musical quotation in the works of Charles Ives.” B.A. Thesis, Reed College, 1976.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Wolf, Henry Samuel
Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.Notes: Ives is one of eight com-posers whose sonatas are discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wong, Justin
Year: 2007
Complete Citation:
Wong, Justin. “A performance approach to Charles Ives' Fourth violin sonata.” M.M. Thesis, California State University, Long Beach, 2007.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Wright, Allan
Year: 2007
Complete Citation:
Wright, Allan. “Frank Zappa’s orchestral works: art music or “bogus pomp”?” University of Glasgow, M.M. thesis, 2007.Notes: Only one mention of Ives.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Young III, Harmon Griffith
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Young, Jerry Lee
Year: 1980
Complete Citation:
Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Zechel, Charles
Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Zobel, Mark A.
Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.Notes: The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
no author listed
Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.Source: Postage Stamp
Reprints: Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.
XVI. Photographs and Artwork
C. Other
Complete Citation:
W. L. Sketch. Milwaukee Journal Green Sheet. June 23, 1948.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Complete Citation:
Drawing. National Portrait Gallery, Smithsonian Institution, Washington, DC.Notes: Based on the (double exposure) snapshot of Ives and Mandeville Mullally in their room at Yale University, 76 South Middle Street. The photograph is held in the Charles Ives Papers, Yale University.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
Year: 1932
Complete Citation:
“Charles Ives, A Photograph.” In: Modern Music, Vol. 10, No. 1 (1932): 25.Source: Journal
XVI. Photographs and Artwork
A. Photographs
Year: 1954
Complete Citation:
Death Mask. Sculptrue, 1954. Danbury, CT: Danbury Museum and Historical Society (formerly Scott--Fanton Museum).Source: Sculpture
Reprints: In <i>A Charles Ives Omnibus</i>, by James Mack Burk and Michael J. Budds, 59. Hillsdale, New York: Pendragon Press, 2008.
XVI. Photographs and Artwork
B. Artwork
Year: 1973
Complete Citation:
“A Charles Ives Commemorative Postage Stamp?” American String Teacher, Vol. 23, Issue 4 (November 1973): 37.Source: Journal
XVI. Photographs and Artwork
C. Other