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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cowell, Henry, ed.

Year: 1933
Complete Citation:
Cowell, Henry, ed. “American Composers on American Music: A Symposium.” Stanford, California: Stanford University Press, 1933.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Crunden, Robert M.

Year: 1977
Complete Citation:
Crunden, Robert M. “Charles Ives’s Place in American Culture.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchchock and Vivian Perlis, 4-15. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Cuffiani, Barbara

Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Daniel, Oliver

Year: 1955
Complete Citation:
Daniel, Oliver. “The New Festival.” American Composers Alliance Bulletin 5/1 (1955): 3-9, 14-23.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Davies, Hilary W.

Year: 1987
Complete Citation:
Davies, Hilary W. "The correlation between source and style in the music of Ives.” Ph.D. diss., University of Wales, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davis, Joel Scott

Year: 2011
Complete Citation:
Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davies, John Nigel

Year: 1973
Complete Citation:
Davies, John Nigel. “Two aspects of the American avant-garde: Charles Ives and John Cage: a dissertation.” Ph.D. diss., 1973.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davy, Rebecca Evers

Year: 2008
Complete Citation:
Davy, Rebecca Evers. “The First Piano Sonata of Charles Ives: An Analytical and Historical Study.” Ph.D. diss., University of Southern California, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Dickinson, Peter

Year: 1974
Complete Citation:
Dickinson, Peter. “New York, New Haven.” Musical Times 115 (December 1974): 1067-1069.
Notes:

Related to Ives Centennial conference

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Dosches, Barbara

Year: 1970
Complete Citation:
Dosches, Barbara. “‘Substance’ and ‘Manner’ in the Music of Charles Ives.” D.M.A. document, University of Colorado, 1970.
Source: D.M.A. Document
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Doscher, Barbara M.

Year: 1970
Complete Citation:
Doscher, Barbara M. “”Substance" and "manner" in the music of Charles Ives.” D.M.A. Thesis, University of Colorado, 1970.
Source: D.M.A. Thesis
A. Dissertations

Easter, Stanley Eugene

Year: 1969
Complete Citation:
Easter, Stanley Eugene. “A Study Guide for the Performance of Twent-ieth Century Music from Selected Ballet Repertoires for Trombones and Tuba.” Ed.D. diss., Columbia University, 1969.
Notes:

Dis-cusses (in Chapter III) music for twelve ballets including Ivesiana {E216}, especially Central Park in the Dark, and A Set of Theater Pieces ("In the Inn" and "In the Night").

Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Eiseman, David

Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European Symphonic Tradition: A Historical Reappraisal.” Ph.D. diss., University of Illinois, 1972.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Engel, A. Lehman

Year: 1932
Complete Citation:
Engel, A. Lehman. “Music Notes: The Yaddo Festival of American Music.” Symposium III, 4 (October 1932): 495-502.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Evseeva, Marina

Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ewing, James William

Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fairfield, Patrick K.

Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fessel, Pablo

Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Filho, Carlos Marigo

Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations