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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bullard, Doug

Year: 2005
Complete Citation:
Bullard, Doug. “Neely Bruce and Charles Ives, Reunited: Statewide Edition.” The Hartford Courant, June 23, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Burk, John N.

Year: 1948
Complete Citation:
Burk, John N. “Composer from Connecticut.” In Concert Bulletin of the Boston Symphony Orchestra 67/15 (February 6-7, 1948), 797-798. Boston, MA: Boston Symphony Orchestra, 1948.
Source: Concert Bulletin
Reprints:

Burk, John N. “Composer from Connecticut.” In <i>Concert Bulletin of the Boston Symphony Orchestra </i>67/12<i> </i>(February 13-14, 1948), 870-886; 82/6 (November 2-3 1962), 344, 346, 348, 350-354. Boston, MA: Boston Symphony Orchestra, 1962.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Burkholder, J. Peter

Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.
Source: Ph.D. dissertation
Reprints:

Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

C.H.

Year: 1948
Complete Citation:
C.H. “Joan Field Officers Ives’ First Sonata: Young Violinist also Presents Chausson, Mozart, Bach and Ysaye Works at Town Hall.” The New York Times, October 12, 1948, 32.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Call, William Anson

Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cameron, Michael

Year: 1963
Complete Citation:
Cameron, Michael. “Pianist Hamelin Gives Ives’ Sonata Heartfelt Hearing: Chicago Final Edition.” Chicago Tribune, September 4, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Canning, Hugh

Year: 1931
Complete Citation:
Canning, Hugh. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), September 18, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cantrell, Scott

Year: 1996
Complete Citation:
Cantrell, Scott. “New Ear Will Present Selections from Composer Charles Ives.” Kansas City Star. January 21, sec. I, 8.
Notes:

Announcement of an all-Ives program given by a contemporary music ensemble at St. Mary’s Episcopal Church, Kansas City. The concert included songs, instrumental pieces (some arranged for this group), and readings from <i>Essays Before a Sonata </i>as “Essays Before an Audience” with various accompaniments.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Cantrell, Scott. “Series Returns Spotlight to Charles Ives.” Dallas Morning News, November 26, 2000, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Cantrell, Scott. “Composer Inspired a World of Possibilities: DSO Con-cert Will Honor Musical Pioneer Charles Ives.” Dallas Morning News, September 20, 2004, sec. E, 4.
Notes:

A general article announcing performances by the Dallas Symphony Orchestra of Symphonies Nos. 2 and 3 and Orches-tral Set No. 1: Three Places in New England.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cariaga, Daniel

Year: 2003
Complete Citation:
Cariaga, Daniel. “Music Review; Ives Finds Splendid Exponent in Svrcek: HOME EDITION.” The Los Angeles Times, April 17, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Carleton, Chantal

Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carlson, Paul Bollinger

Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carter, Elliott

Complete Citation:
Carter, Elliott. “Further Notes on the Winter Season.” Modern Music 16 (March-April 1939): 176.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Caruthers, Osgood

Year: 1959
Complete Citation:
Caruthers, Osgood. “Bernstein, on Birthday, Leads Orchestra in 2 Stravinsky Works.” The New York Times, August 26, 1959, 25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cattani, Richard J.

Year: 1966
Complete Citation:
Cattani, Richard J. “Kicking Over an Ashcan.” The Christian Science Monitor, July 25, 1966, 6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Caturla, Alejandro J.

Year: 1929
Complete Citation:
Alejandro J. Caturla, “Musica Recibida: Charles E. Ives, 4a Sinfonia.” Musicalia (January-February 1929): 190-191.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Chanler, Theodore

Year: 1934
Complete Citation:
Chanler, Theodore. “Forecast and Review: New York, Spring, 1934.” Mod-ern Music 11/4 (May-June 1934): 206-207.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances