Lo, Chau-Yee
Year: 2004
Complete Citation:
Lo, Chau--Yee. “Endangered Species: The Harpsichord and Its New Repertoire since 1960.” Ph.D. diss., University of Leeds, 2004.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Lotto, Albert
Year: 1978
Complete Citation:
Lotto, Albert. “Experimental aspects of the completed short piano pieces of Charles Ives: with an edition of the unpublished works.” D.M.A. Thesis, The Juilliard School, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Louis, Rémy
Year: 2010
Complete Citation:
Louis, Rémy. “Le disque: American Classics.” Diapason: le magazine du disque et de la musique vivante (2010): 67.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Louis, Rémy Les. DVD: Michael Tilson Thomas. Diapason: le magazine du disque et de la musique vivante (2014): 118.Source: Magazine (DVD announcement)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Louis, Rémy. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 102-103.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Lowens, Irving
Year: 1959
Complete Citation:
Lowens, Irving. “The Curious State of American Music on Records.” Notes 16/3 (June 1959): 371-376.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1960
Complete Citation:
Lowens, Irving. “The American Recordings Project: Progress Report of the Committee, 5 February 1960.” Notes (March 1960) 17/2: 213-220.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Lyman, Zachary Taft
Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Lynn, Debra J.
Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
MacDonald, Malcolm
Year: 1974
Complete Citation:
MacDonald, Malcolm. “Ives Symphony No.4.” Gramophone 52 no. 688 (October 1974), 688.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Magil, Joseph
Year: 2007
Complete Citation:
Magil, Joseph. “Guide to Records - Ives: Quartets; Scherzo.” American Record Guide, Vol. 70, No. 2 (2007): 105-106.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Magil, Joseph. “French Viola.” American Record Guide, Vol. 76, No. 5 (2013): 246.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Maltz, Richard Steven
Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Marcinik, Laurent
Year: 2015
Complete Citation:
Marcinik, Laurent. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 106-107.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Mark, Michael
Year: 2004
Complete Citation:
Mark, Michael. “Collections: “James Levine Tribute.”” American Record Guide, Vol. 67, No. 5 (2004): 225-226.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Martin, Warren Charles
Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Massey, Drew
Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McCandless, William Edgar
Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McClure, John
Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely American Giant.” Gramophone 44/527, April 1967, 516-517.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McColley, Robert
Year: 2002
Complete Citation:
McColley, Robert. “Classics in America.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 3 (2002): 264.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews