McDonald, Charlene Harb
Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McDonald, Matthew James
Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McGregor, Andrew
Year: 2002
Complete Citation:
McGregor, Andrew. “Andrew McGregor's Discs of the Month.” BBC Music Magazine, Vol. 10, No. 10 (2002): 57.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McLellan, Joseph
Year: 1993
Complete Citation:
McLellan, Joseph. “Classical Recordings: A Courier for Ives: The Albany Records Compilation.” The Washington Post, January 3, 1993, G4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
McPhee, Colin
Year: 1939
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 16/4 (May--June 1939): 264--267.Notes: An announcement of the establishment of the Arrow Music Press that will now issue Cos Cob Press publications.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1941
Complete Citation:
McPhee, Colin. “Records and Scores.” Modern Music 18/4 (May--June 1941): 267--269.Notes: Lists contemporary Americans whose works arc recorded by Columbia and RCA. "Why no Ives, no Copland, no Harris—to mention a few who have done something significant in piano music.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1943
Complete Citation:
McPhee, Colin. “Scores and Records.” Modern Music 20/2 (January-February): 126-129.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Metz, Donald E.
Year: 2006
Complete Citation:
Metz, Donald E. “Collections: “Gillian Weir at Royal Festival Hall.”” American Record Guide, Vol. 69, No. 6 (2006): 229.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Metz, Donald E. “Collections: “Variations on America.”” American Record Guide, Vol. 72, No. 6 (2009): 205.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Mickelsen, William Cooper
Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Miller, Ashleé Michele
Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Miller, Philip L.
Year: 1967
Complete Citation:
Miller, Philip L. “Music for Chorus.” American Record Guide 33/5, January 1967, 410, 412.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Review of Robert Browning Overture by Charles Ives (sound recording).” American Record Guide 34/5, January 1968, 437.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Songs by Charles Ives and Others.” The American Record Guide 35, no. 4 (December 1968): 305.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1970
Complete Citation:
Miller, Philip L. “Review of Ives Choral Music.” The American Record Guide 36, no. 9 (May 1970): 674.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1971
Complete Citation:
Miller, Philip L. “Gunther Schuller—A Very Right Man to Interpret Ives.” The American Record Guide 37, no. 6, February 1971, p. 353.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Milligan, Terry Gilbert
Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Molkhou, Jean-Michel
Year: 2015
Complete Citation:
Molkhou, Jean-Michel. “Les disques de A à Z: Récitals: Quatuor Schumann.” Diapason: le magazine du disque et de la musique vivante (2015): 128-129.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Moore, David W.
Year: 1968
Complete Citation:
Moore, David W. “John Kirkpatrick: ‘Concord’ Revisited.” The American Record Guide 35, no. 7 (December 1968): 546-547.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - “Songs,” “Instrumental Pieces,” “Piano Pieces.” American Record Guide, Vol. 68, No. 4: 132.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews