O’Regan, Tarik
Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O'Reilly, Warren
Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Oliver, Michael
Year: 1997
Complete Citation:
Oliver, Michael. “Insight: The Father of World Music.” Classic CD (1997): 44-45.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Osowski, Kenneth M.
Year: 2005
Complete Citation:
Osowski, Kenneth M. “The continuing spirit of Emerson and Beethoven in Ives's Concord sonata.” D.M.A. thesis, Peabody Conservatory of Music, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Owens, Thomas Clarke
Year: 1999
Complete Citation:
Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
P., J.
Year: 2012
Complete Citation:
P., J. “Charles Ives, Sonates Pour Violon Et Piano: (Deutsche Grammophon/Universal) Etrange Et Fascinant Parcours Que Celui De Charles Ives (1878 - 1954), Ce Compositeur Dont Le Génie s’Exprimait à Temps Perdu, Tandis Qu’Il Officiait, Officiellement, En Tant Qu’Agent d’Assurances.” Temps (Geneva, Switzerland), January 6, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Page, Tim
Year: 1997
Complete Citation:
Page, Tim. Difficult Contemporary Works. Fi: The Magazine of Music & Sound, Vol. 2, No. 2, (1997): 104-105, 107-109.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Palmer, Kenneth Robert
Year: 1986
Complete Citation:
Palmer, Kenneth Robert. “A performer's guide to Charles Ives' piano sonata no. 2 "Concord, Mass., 1840-1860"; Quintet for piano and strings.” Ph.D. diss., Washington University, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Park, Hyun
Year: 2008
Complete Citation:
Park, Hyun. “Selected American Violin Works and their European Context.” D.M.A. diss., University of Maryland, College Park, 2012.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Paul, David Christopher
Year: 2006
Complete Citation:
Paul, David Christopher. “Converging paths to the canon: Charles Ives, Gustav Mahler, and American culture.” Ph.D. Diss., University of California, Berkeley, 2006.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Payne, Anthony
Year: 1968
Complete Citation:
Payne, Anthony. “Record Guide.” Tempo 85 (Summer 1968): 33.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Pérez Adrián, Enrique
Year: 2009
Complete Citation:
Pérez Adrián, Enrique. “Discos: Lenny en su salsa.” Scherzo: Revista de Música, Vol. 24, (2009): 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Perry, Rosalie Sandra
Year: 1971
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives and American Culture.” Ph.D. diss., University of Texas at Austin, 1971.Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Pilkington, Steve
Year: 2007
Complete Citation:
Pilkington, Steve. “G is for genius: the life and works of Charles Ives.” In The ABC's of American church music: a first primer. Ph.D. diss., Drew University, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Pincus, Andrew
Year: 1985
Complete Citation:
Pincus, Andrew. "Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985, sec. 2, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Plinkiewisch, Helen
Year: 1955
Complete Citation:
Plinkiewisch, Helen. “A contribution to the understanding of the Music of Charles Ives, Roy Harris and Aaron Copland: a report of a type C project.” D.M.E. diss., Columbia University, 1955.Source: D.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Poole, Elissa
Year: 2005
Complete Citation:
Poole, Elissa. “New Releases Classical.(A Song -- for Anything: Songs by Charles Ives).” Globe & Mail, October 7, 2005, R34.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Poole, Elissa. “Classical - Charles Ives: String Quartets.” Globe & Mail. February 27, 2007, R3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Poole, Elissa. “CLASSICAL: “Songs by Charles Ives” by Gerald Finley and Julius Drake.” Globe & Mail, April 22, 2008, R3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Porter, Ellen Jane Lorenz
Complete Citation:
Porter, Ellen Jane Lorenz. “A Treasure of Camp-Meeting Spirituals.” Ph.D. diss., Union Graduate School, Cincinnati, Ohio, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations