Image
decorative banner image

Bibliography

Preissing, Christopher Andrew

Year: 2008
Complete Citation:
Preissing, Christopher Andrew. “Intermedical relationships among component arts in combined art works.” D.M.A. diss., University of Illinois at Urbana-Champaign, 2008.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Priest, Charles T.

Year: 2008
Complete Citation:
Priest, Charles T. “Regionalism in Selected Musical Works of Charles Faulkner Bryan (1911–1955).” D.M.A. diss., The Southern Baptist Theological Seminary, 2008.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Quinn, Ian

Year: 2005
Complete Citation:
Quinn, Ian. “Guide to Records: Harbison - Symphony 3, Ives - Symphony 2, Gershwin - “Cuban Overture.”” American Record Guide, Vol. 68, No. 4 (2005): 126-127.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rangell, Andrew

Year: 1976
Complete Citation:
Rangell, Andrew. “The violin-piano sonatas of Charles Ives: an analytical discussion.” D.M.A. Thesis, The Juilliard School, 1976.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rankin, Bill

Year: 2003
Complete Citation:
Rankin, Bill. “Disc shows Two Sides of Musical Freethinker: Final Edition.” Edmonton Journal, May 18, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rathert, Wolfgang

Year: 1987
Complete Citation:
Rathert, Wolfgang. “Studien zum Werk von Charles Ives.” Ph.D. dis-s., Freie Universität Berlin, 1987.
Notes:

Revised and printed: The Seen and the Unseen: Studien zum Werke von Charles Ives. (1991)

Source: Ph.D. Dis-sertation
Reprints:

Rathert, Wolfgang. <i>The Seen and the Unseen: Studien zum Werke von Charles Ives</i>. Berliner Musikwissenschaftliche Arbeiter, 38. Series edited by Carl Dahlhaus and Rudolf Stephan. Munich/Salzburg, Germany: Musikverlag Emil Katzbichler, 1991.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Ives-Studien.” Ph.D. diss., Freie Universität Berlin, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1991
Complete Citation:
Rathert, Wolfgang. “The seen and unseen: Studien zum Werk von Charles Ives.” Ph.D. diss., Freie Universität Berlin, 1987.
Source: Ph.D. Dissertation
Reprints:

Rathert, Wolfgang. <i>The seen and unseen: Studien zum Werk von Charles Ives</i>. Berliner musikwissenscaftliche Arbeiten 38. Munich, Germany: Musikverlag Emil Katzbichler, 1991.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Reel, James

Year: 1993
Complete Citation:
Reel, James. “CD Offers Exquisite Takes on Ives, Barber Works.” The Arizona Daily Star, February 26, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Reel, James. “A Trio of Duos: the Gemini Piano Trio.” Fanfare: The Magazine for Serious Record Collectors, Vol. 22, No. 4 (1999): 128-131.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Reel, James. “Collections: Choral - “Heaven To Earth.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 237-238.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Reel, James. “Reviews: On Record: “A Century of American Music.”” Strings, Vol. 21, No. 9 (2007): 89.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Reichert, Linda

Year: 1996
Complete Citation:
Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Reitz, Howard D.

Year: 1969
Complete Citation:
Reitz, Howard D. “Performance-related research document no. 1.” D.M.A. research project, University of Colorado, 1969.
Source: D.M.A. Research Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rich, Alan

Year: 1968
Complete Citation:
Rich, Alan. “The Ives Canon.” Saturday Review 51/17, 27 April 1968, 75, 80.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Riis, T. L.

Year: 2006
Complete Citation:
Riis, T. L. “Charles Ives, Violin Sonatas Nos. 1-4.” American Music, Vol. 24, No. 2 (2006): 249-250.
Source: Journal (edition/recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rinehart, John McLain

Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Robinson, Bradley Craig

Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Robison, Richard William

Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Arts Center: ‘Ives.’” High Fidelity/Musical America 25/12 (December 1975): 26-27.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews