Call, William Anson
Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Calloway, Earl
Year: 1974
Complete Citation:
Calloway, Earl. “Solti Puts New Life into Work of Ives.” Chicago Defender. 1974: A11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Carl, Robert
Year: 2002
Complete Citation:
Carl, Robert. “Ives: “3 Places in New England,” Ruggles: “Sun-Treader,” Piston: Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 26, No. 1 (2002): 282-283.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Carleton, Chantal
Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Carlson, Paul Bollinger
Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Chakwin, Stephen D. Jr.
Year: 2004
Complete Citation:
Chakwin, Stephen D. Jr. “Guide to Records: Ives - “Symphony 1; Emerson Concerto.” American Record Guide, Vol. 67, No. 2 (2004): 140-141.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Chase, Gilbert
Year: 1966<br>
Complete Citation:
Chase, Gilbert. “Symphony No. 4.” Anuário, vol. 2 (1966): 169.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Chau, Paul S.
Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Chernov, Eric B.
Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Chien, Gloria
Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Childs, Andrew S.
Year: 2004
Complete Citation:
Childs, Andrew S. “The children's hour: the thematic use of childhood in the songs of Charles Ives.” D.M.A. Thesis, University of Washington, 2004.Source: D.M.A. Thesis
A. Dissertations
Clarke, Andrew
Year: 2004
Complete Citation:
Clarke, Andrew. “CLASSICAL: NEW RELEASES: Final Edition.” The Independent (London, England), May 22, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clarke, Colin
Year: 2009
Complete Citation:
Clarke, Colin. “Classical Recordings: Nielsen - Suite, “Luciferian”; McDonald - “Meditation before a Sonata: Dew Cloth, Dream Drapery”; Ives - Piano Sonata No. 1.” International Musician, Vol. 107, No. 7 (2009): 219-220.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clarke, Henry Leland, and Kurt Stone
Year: 1964
Complete Citation:
Clarke, Henry Leland, and Kurt Stone. “Reviews of Records.” Musical Quarterly 50/1 (January 1964): 114-118.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clark, Philip
Year: 2010
Complete Citation:
Clark, Philip. “Soundbites: That Strain Again - Where Have We Heard This Before?: Classical Music Will Eat Itself.” Gramophone, Vol. 87 (2010): 28-29.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2011
Complete Citation:
Clark, Philip. “From Beethoven, the Future.” Gramophone, Vol. 89 (2011): 36-41, 43.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Clark, Philip. “The “Gramophone Collection”: An Unanswerable Question?” Gramophone, Vol. 90 (2012): 92-95, 97.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Clark, Philip. “CD Review: Ives.” Gramophone, Vol. 90 (2013): 103.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Clark, Philip. “Instrumental Reviews: “Concord” - Ives: Piano Sonata No. 2, “Concord, Mass. 1840-60”; Webern: Piano Variations, Op. 27; Berg: Piano Sonata Op. 1.” Gramophone, Vol. 93 (2015): 63-64.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Clark, Philip. “CD Review: Ives Con Slugarocko Violin Sonatas 1-4.” Gramophone, Vol. 94 (2016): 64-65.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
