Jacklin, Brendan
Year: 2017
Complete Citation:
Jacklin, Brendan. “Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives.” University of Cincinnati, College-Conservatory of Music, 2017.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.
Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Jennert, Rüdiger
Year: 1995
Complete Citation:
Jennert, Rüdiger. “Amerikanische Chormusik des 20. Jahrhunderts: stilische Untersuchungen zu sakralen Chorwerken von Aaron Copland, Charles Edward Ives und Randall Thompson.” Ph.D diss., Staatliche Hochschule für Musik, Freiburg im Breisgau, 1995.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Johnson, Ronald
Year: 1935
Complete Citation:
Johnson, Ronald, 1935. “The Different Musics.” In The Different Musics. New York, NY: W.W. Norton, 1969.Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Joyce, Mary Ann
Year: 1970
Complete Citation:
Joyce, Mary Ann. “The Three-Page Sonata of Charles Ives: An Analysis and a Corrected Version.” Ph.D. diss., Washington University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Katz, David B.
Year: 1999
Complete Citation:
Katz, David B.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kavanaugh, James Vincent
Year: 1978
Complete Citation:
Kavanaugh, James Vincent. “Music and American Transcendentalism: A Study of Transcendental Pythagoreanism in the Works of Henry David Thoreau, Nathaniel Hawthorne and Charles Ives.” Ph.D. diss., Yale University, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kearnes, William Kay
Year: 1965
Complete Citation:
Kearns, William Kay. “Horatio Parker, 1863-1919: A Study of His Life and Music.” Ph.D. Thesis, University of Illinois, 1965.Source: Ph.D Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kelly, Kevin Oliver
Year: 1988
Complete Citation:
Kelly, Kevin Oliver. "The Songs of Charles Ives and the Cultural Con-text of Death.” Ph.D. dissertation, University of North Carolina, Chapel Hill, 1988.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kinne, William Joseph
Year: 2015
Complete Citation:
Kinne, William Joseph. “The wind band music of Charles Ives: an annotated repertoire list of original works and arrangements.” D.M.A. Thesis, University of Colorado, 2015.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kolosick, J. Timothy
Year: 1981
Complete Citation:
Kolosick, J. Timothy. “A Computer-Assisted, Set-Theoretic Investigation of Vertical Simultaneities in Selected Piano Compositions by Charles E. Ives.” Ph.D. diss., University of Wisconsin, Madison, 1981.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kopp, Christina Lee
Year: 2006
Complete Citation:
Kopp, Christina Lee. “‘A School of New Men’: Composing an Ameri- can Identity in the Early Twentieth Century.” Ph.D. diss., Bos-ton University, 2006.Notes: Discusses compositions of Aaron Copland, Edward MacDowell, Arthur Farwell, and Charles Ives.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kuan, Flora Lu
Year: 1983
Complete Citation:
Kuan, Flora Lu. “The piano etudes of Debussy, Skryabin, and Ives.” D.M.A. diss., University of Colorado, 1983.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Kumlien, Wendell Clarke
Year: 1969
Complete Citation:
Kumlien, Wendell Clarke. “The Sacred Choral Music of Charles Ives: A Study in Style Development.” D.M.A. diss., University of Illinois, 1969.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Lambert, Jay Philip
Year: 1987
Complete Citation:
Lambert, Jay Philip. “Compositional procedures in experimental works of Charles E. Ives.” Ph.D. diss., University of Rochester, 1987.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
