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Bibliography

Ward, Charles Wilson

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives: The Relationship Between Aesthetic Theories and Compositional Processes.” Ph.D. diss., University of Texas at Austin, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ward, Keith Charles

Year: 1985
Complete Citation:
Ward, Keith C. "Musical Idealism: A Study of the Aesthetics of Arnold Schoenberg and Charles Ives." D.M.A. diss., Northwestern University, 1985.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Waxman, Jonathan

Year: 2012
Complete Citation:
Waxman, Jonathan. “Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning.” Ph.D. diss., New York University, 2012.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Weiss, Mark

Year: 1977
Complete Citation:
Weiss, Mark. “A Meditation on Charles Ives.” Boston, MA: Heron Press, 1977.
Notes:

Poem with woodcut portrait by Bruce Chandler. Available at the Library of Congress, LC 98192956, Portfolio 313, No. 84, Washington D.C. Also available at the Ephemon Collection, New York Public Library, New York, NY.

Source: Poem
XIII. Ives in Literature
A. Poetry

West, Paul

Year: 1994
Complete Citation:
West, Paul. “A Chocolate Malted for Charles Ives.” Conjunctions, no. 22, (1994): 322-370.
Source: Journal
XIII. Ives in Literature
B. Fiction

White, Bruce Howard

Year: 1978
Complete Citation:
White, Bruce Howard. “Evidence of three stylistic periods in selected Psalm settings by Charles E. Ives.” D.M.A. thesis, University of Colorado, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wild, Chris

Year: 2018
Complete Citation:
Wild, Chris. “Charles Ives’ Three Places in New England: An Interpretation and a Conductor’s Guide.” Bienen School of Music, Northwestern University, 2018.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Williams, Jonathan

Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 350-373.
Source: Journal
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3, no. 2 (Spring/Summer 1975): 350-373.
Source: Book
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “Part Two: Essays Before a Sonata.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 353--373.
Notes:

An extended poem in outline form, divided into six sections parallel to Ives's Essays Before a Sonata {All}.

Source: Poem
XIII. Ives in Literature
A. Poetry

Wilson, Donald M.

Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, Lawrence

Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.
Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, P.T.

Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Winters, Thomas Dyer

Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wolf, Henry Samuel

Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.
Notes:

Ives is one of eight com-posers whose sonatas are discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Yother, Mark

Year: 1975
Complete Citation:
Yother, Mark. “Letters to the Editor: Ives Demurrers.” Stereo Review (June 1975) 34/6: 6.
Notes:

A poem (very negative in tone) in response to William Anderson's editorial, “Composer Charles Ives Enters History.” <i>Review </i>34/3 <i>(</i>March 1975): 4.

Source: Poem
XIII. Ives in Literature
A. Poetry

Young III, Harmon Griffith

Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations