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Bibliography

Bryant, Sister Emily Marie

Year: 1966
Complete Citation:
Bryant, Sister Emily Marie. “The avant-garde character of Charles Ives's music exemplified in representative vocal, chamber, and symphonic works.” M.A. thesis, Mount St. Mary's College, 1966.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Buhrman, Laurel Chenault

Year: 1961
Complete Citation:
Buhrman, Laurel Chenault. “An analysis of the music of Charles Ives.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cantrick, Susan Birdsall

Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Castleman, Lisa D.

Year: 2013
Complete Citation:
Castleman, Lisa D. “A conductor's practical approach to "Country Band" March by Charles Ives.” M.M. Thesis, California State University, Long Beach, 2013.
Source: M.M. Thesis
B. Theses

Clark, Philip Steven

Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cole, Michael S.

Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Conway, Bret K.

Year: 1985
Complete Citation:
Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.
Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses

Cox, Paul Walthen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.
Notes:

Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cox, Paul Wathen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crain, Timothy Mark

Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crook, David W.

Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Curtis, Daniel

Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Darby, Joseph Eugene

Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Daugherty, Michael

Year: 1982
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.
Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Eames, Philip

Year: 2010
Complete Citation:
Eames, Philip. “Approaches to the Hawthorne Movement of the Concord Sonata by Charles Ives.” M. Mus. Thesis, Griffith University, 2010.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Eckert, David C.

Year: 2012
Complete Citation:
Eckert, David C. “An instrumental conducting recital document.” M.M. thesis, University of Texas at San Antonio, 2012.
Source: M.M. Thesis/Recital Document
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Englander, Roger, producer/director; Leonard Bernstein, narrator/conductor

Year: 1961
Complete Citation:
Roger Englander, producer/director; Leonard Bernstein, narrator/con-ductor.. Folk Music in the Concert Hall. Sony Classical Video Music Education, 1993. From CBS-TV telecast, 1961 April 9 {E283}. Also available on DVD. Includes 5th movement from Ives's Symphony No. 2.
Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Finaldi, Edmond T.

Year: 1961
Complete Citation:
Finaldi, Edmond T. “Some musical ideas of Charles E. Ives, Connecticut's pioneer in contemporary music.” M.S. thesis, Western Connecticut State University, 1961.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fisher, Jeff

Year: 2016
Complete Citation:
Fisher, Jeff. “Bernard Herrmann: conducting the obscure with the CBS Symphony.” M.M. thesis, University of South Dakota, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses