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Bibliography

Sewell, Amanda Jo

Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Shackelford, Rudy

Year: 1978
Complete Citation:
Shackelford, Rudy. “The Yaddo Festivals of American Music, 1932-1952.” Perspectives of New Music, vol. 17, no. 1 (1978): 92-125.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Sherwood, Gayle

Year: 2005
Complete Citation:
Sherwood, Gayle, chair. “Charles Ives [Panel].” Panel at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Smith, Rebecca E.

Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.
Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Spahn, Teresa Kathleen

Year: 1988
Complete Citation:
Spahn, Teresa Kathleen. “The innovative style of Charles Ives: a study of the 114 songs.” B.M. Thesis, Converse College, 1988.
Source: B.M. Thesis
C. Baccalaureate Essays

Spaide, Christopher Addison

Year: 2011
Complete Citation:
Spaide, Christopher Addison. “Building a home: four portraits in twentieth-century American music.” B.A. thesis, Amherst College, 2011.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sullivan, Timothy

Year: 1966
Complete Citation:
Sullivan, Timothy. “An Approach to Analysis of the Second Movement of Symphony No. 4 by Charles E. Ives and An Essay on Composition Based on Observations on the Same Work.” Senior Essay, Yale University, 1966.
Source: Senior Essay
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Swafford, Jan

Year: 1999
Complete Citation:
Swafford, Jan. “Charles Ives the Commuter.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Conference Keynote Address

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Swed, Mark

Year: 2020
Complete Citation:
Swed, Mark. “The Ives of March; Dudamel Brings the Power with an Early 20th Century Firebrand.” The Los Angeles Times, March 5, 2020.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 2020
Complete Citation:
Swed, Mark. “Culture Monster; Music Review; Remastered Hits; Gustavo Dudamel Presents a Bold Theory in Dvorak-Ives Pairing.” The Los Angeles Times, February 26, 2020.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Terse, Paul

Year: 1987
Complete Citation:
Terse, Paul. Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschr. zur Ausstellung Niederrheinisches Museum d. Stadt Duisburg, 13. September bis 1. November 1987. Duisburg, Germany: Stadt Duisburg, 1987.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Walcott, Penelope

Year: 2005
Complete Citation:
Walcott, Penelope. “Talking around Ives.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Wallach, Laurence

Year: 1975
Complete Citation:
Wallach, Laurence. “The Ives Conference: A Word from the Floor.” Current Musicology, no. 19 (1975): 32-36.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Webre, Jude

Year: 2007
Complete Citation:
Webre, Jude. “Can He Let His Children Starve for His Dissonances? The Double Life of Charles Ives.” B.A. thesis, Columbia University, 2007.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Wehrl, Paul

Year: 1990
Complete Citation:
Wehrl, Paul. Charles Ives: “The unanswered question” als Werkbeispiel für den Musikunterricht an bayerischen Realschulen unter Berücksichtigung fachwissenschaftlicher und didaktischer Aspekte. Term paper, Eichstätt, Universität, 1990.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Whitney, Annette

Year: 1966
Complete Citation:
Whitney, Annette. “Contemporary American art song: John Alden Carpenter, Charles Edward Ives, Aaron Copland and Ned Rorem.” B.M. thesis, University of Utah, 1966.
Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Wilson, Donald Malcolm

Year: 1962
Complete Citation:
Wilson, Donald Malcolm. “Tone Roads No. 1: An Analysis.” Term paper, Cornell University, 1962.
Notes:

Copy in Charles Ives Papers at Yale University.

Source: Term Paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zechel, Charles

Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

no author listed

Year: 1932
Complete Citation:
First Festival of Contemporary American Music. Trask Mansion, Yaddo Estate, Saratoga Springs, NY, May 1, 1932.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1946
Complete Citation:
Second Annual Festival of Contemporary American Music. McMillan Theatre, Columbia University, New York, NY,
May 11, 1946.
Notes:

Third Program was devoted to Ives's works; The Unanswered Question and Central Park in the Dark were given their premieres.

Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences