North, James H.
Year: 2003
Complete Citation:
North, James H. “Ives: String Quartets: No. 1; No. 2; Scherzo, ‘Holding Your Own!’; Adagio sostenuto, ‘At Sea’; Largo risoluto: No. 1; No. 2; Adagio cantabile, ‘The Innate’; ‘Hallowe’en.’” Fanfare: The Magazine for Serious Record Collectors, Vol. 26, No. 4 (2003): 123-124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Ives: “The Celestial Country,” “Silence Unaccompanied.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 4 (2004): 179-180.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Classical Recordings: Ives - “Emerson Concerto,” Symphony No. 1.” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 6 (2004): 120-121.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Gershwin: “Cuban Overture”; Harbison: Symphony No. 3; Ives: Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 6 (2005): 136.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Universe Symphony”; Ives: “Universe Symphony”; Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 1 (2005): 204-206.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: Sonata No. 2, “Concord, Mass., 1840-60”; Barber: Piano Sonata in e-flat.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 131-132.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Varied Airs and Variations”; “Waltz-Rondo”; Invention in D; Studies: No. 1; No. 2; No. 11; No. 4; No. 5; “Storm and Distress”; “Impression of 'St. Gaudens’ in Boston Common”; “The Celestial Railroad”; “Minuetto”; “3 Quarter-Tone Pieces”; 7 Marches for Piano; George Ives: Fourth Fugue.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 132-133.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphony No. 2; “The Unanswered Question”; “Central Park in the Dark.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 3 (2006): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphonies: No. 1; No. 4; “Central Park in the Dark”; Ives - Symphonies: No. 2, No. 3, “The Camp Meeting”; “General William Booth Enters into Heaven.”” Fanfare 30, no. 4, (March 2007): 145-147.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Northcutt, Bayan
Year: 2015
Complete Citation:
Northcutt, Bayan. “CD Review: Ives, Berg, Webern Piano Sonatas.” BBC Music Magazine, Vol. 23, No. 13 (2015): 109.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Noss, Luther
Year: 1950
Complete Citation:
Noss, Luther. “Review of ‘Variations on America, [etc.].’” Music Library Association Notes, Second Series, Vol. 7, No. 3 (June 1950).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O’Regan, Tarik
Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O'Reilly, Warren
Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Oliver, Michael
Year: 1997
Complete Citation:
Oliver, Michael. “Insight: The Father of World Music.” Classic CD (1997): 44-45.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Owens, Thomas Clarke
Year: 1991
Complete Citation:
Owens, Thomas Clarke. “Charles Ives's 114 Songs: the Text and the Music.” B.A. thesis, University of North Carolina at Greensboro, 1991.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
P., J.
Year: 2012
Complete Citation:
P., J. “Charles Ives, Sonates Pour Violon Et Piano: (Deutsche Grammophon/Universal) Etrange Et Fascinant Parcours Que Celui De Charles Ives (1878 - 1954), Ce Compositeur Dont Le Génie s’Exprimait à Temps Perdu, Tandis Qu’Il Officiait, Officiellement, En Tant Qu’Agent d’Assurances.” Temps (Geneva, Switzerland), January 6, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Page, Tim
Year: 1997
Complete Citation:
Page, Tim. Difficult Contemporary Works. Fi: The Magazine of Music & Sound, Vol. 2, No. 2, (1997): 104-105, 107-109.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Payne, Anthony
Year: 1968
Complete Citation:
Payne, Anthony. “Record Guide.” Tempo 85 (Summer 1968): 33.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Pérez Adrián, Enrique
Year: 2009
Complete Citation:
Pérez Adrián, Enrique. “Discos: Lenny en su salsa.” Scherzo: Revista de Música, Vol. 24, (2009): 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Pincus, Andrew
Year: 1985
Complete Citation:
Pincus, Andrew. "Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985, sec. 2, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
