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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

West, Michael J.

Year: 2009
Complete Citation:
West, Michael J. “Reviews: CDs - Theo Bleckmann & Kneebody; Theo Bleckmann/John Hollenbeck/Gary Versace.” JazzTimes: America's Jazz Magazine, Vol. 39, No. 5 (2009): 58.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Westenburg, Richard

Year: 1974
Complete Citation:
Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Whittaker, Herbert

Year: 1970
Complete Citation:
Whittaker, Herbert. “Music on Records: Rhythmic Experiments in Ives Collection.” The Globe and Mail, October 8, 1970, 11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Willis, Thomas

Year: 1967
Complete Citation:
Willis, Thomas. “Records: Virtuosity in Music’s Service: Horowitz, Lipatti, Masselos.” Chicago Tribune, April 16, 1967, E11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Willis, Thomas. “Records.” Chicago Tribune, July 16, 1967, E9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Willis, Thomas. “A Quilt Well Stitched.” Chicago Tribune, June 17, 1968, B12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Williams, Claire Vaquero

Year: 2009
Complete Citation:
Williams, Claire Vaquero. Discos: Británicos e irlandeses. Scherzo: Revista de Música, Vol. 24 (2009): 69.
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Williams, Rory

Year: 2011
Complete Citation:
Williams, Rory. “Hilary Hahn Dives into Ives on Latest CD.” Strings, Vol. 26, No. 4 (2011): 13.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “Sound Comes into Its Own.” Neue Zeitschrift fur Musik 2001/5 (September-October 2001): 12-17.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wolffers, Jules

Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wollny, Ute

Year: 1983
Complete Citation:
Wollny, Ute. “Orchester werke und Kammermusik von Charles Edward Ives bei Radio DDR II.” Musik und Gesellschaft 33 (March 1983): 180-181.
Notes:

Series included twenty-five works; Eberhardt Klemm, commentator.

Source: Journal
B. Recording Reviews

Wright, Stephen

Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wulfert, Eric J.

Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.
Notes:

Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

no author listed

Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1932
Complete Citation:
First Festival of Contemporary American Music. Trask Mansion, Yaddo Estate, Saratoga Springs, NY, May 1, 1932.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1935
Complete Citation:
“Phono Review.” Boston Evening Transcript. October 29, 1935, 37-38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1938
Complete Citation:
“June Records.” Time XXXII, 1 (July 4, 1938): 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews