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Bibliography

Rogers, H.

Year: 1956
Complete Citation:
Rogers, H. “Four Violin-Piano Sonatas; ‘Der Jasager’: Recordings.” The Christian Science Monitor, April 3, 1956, 10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Rogers, H. “Ives Shoots the Works: Comedy of Surprises.” The Christian Science Monitor, 1966, 16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Romano, Jacoho

Year: 1969
Complete Citation:
Romano, Jacoho. “Retratos de musicos americanos: Charles Edward Ives.” Buenos Aires Musical 24/398 (July 16, 1969): 3.
Notes:

A general article, dis-cussing biography, style, and several works (e.g., Concord Sonata).

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Romina de la Sotta Donoso

Year: 2011
Complete Citation:
Donoso, Romina de la Sotta. “Hoy Se Estrena Emblemática Obra De Charles Ives.” Mercurio (Santiago, Chile), August 4, 2011.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rosenblum, Joshua

Year: 2001
Complete Citation:
Rosenblum, Joshua. “Ives: Sets for Small Orchestra, Songs.” Opera News, Vol. 66, No. 4 (2001): 53-54.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Rosenblum, Joshua. “Recordings: Choral and Song: Ives: “Songs: Concord Sonata.”” Opera News, Vol. 69, No. 2 (2004): 70.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rosenfeld, Paul

Year: 1932
Complete Citation:
Rosenfeld, Paul. “A Musical Tournament.” New Republic 71 (June 15, 1932): 121.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul “American Premieres.” The New Republic 70/907 (April 20, 1932): 273--274.
Notes:

Questions the selection of some of the pieces instead of “one of the larger compositions by Ives,” among others.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul. “Critics of Music Are Denounced by Composers.” New York Herald Tribune, May 2, 1932, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rosenfeld, Paul and Herbert A. Leibowitz, eds.

Year: 1969
Complete Citation:
Rosenfeld, Paul. “Charles Ives.” In Musical Impressions: Selections from Paul Rosenfeld’s Criticism, edited by Herbert A. Leibowitz. London, United Kingdom: G. Allen & Unwin, 1969.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ross, Alex

Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times, November 15, sec. C, 20.
Notes:

The reviewer concludes that Ives’s “question goes unanswered.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “In Bells and Microtones, A Legend Comes to Life.” The New York Times, June 8, 1996, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Tribute to Ives After 30-Year Effort.” New York Times. Feb-ruary 23, 1996, sec. C, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Ives and Mahler, Through the Same Lens.” The New York Times, February 20 1996, section C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Ross, Alex. “The Critics: Musical Events - All the Lonely People.” The New Yorker, Vol. 75, No. 22 (1999): 83-84.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rousuck, J.W.

Year: 1975
Complete Citation:
Rousuck, J.W. “Ives: ‘the First Great American Composer’: Peabody Conservatory to Present Complete Piano Sonatas on Tuesday.” The Sun. September 28, 1975, D3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Russell, John

Year: 1979
Complete Citation:
Russell, John. “Design Notebook.” The New York Times. February 8, 1979: C10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Russell, Mary H.

Year: 1963
Complete Citation:
Russell, Mary H. “Children’s Corner: Chicagoland Final Edition.” Chicago Tribune, April 21, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rydberg, Göran

Year: 1998
Complete Citation:
Rydberg, Göran. P2-tips: Egendomlig Satie och universell Ives. Musik: Tidningen för Klassiskt, Folkmusik och Jazz, No. 4 (1998): 11.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rye, Matthew

Year: 2003
Complete Citation:
Rye, Matthew. “CDs Classical: 3.” Daily Telegraph (London, England), July 5, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews