Sabin, Robert
Year: 1951
Complete Citation:
Sabin, Robert. “Bernstein Conducts Ives Symphony No. 2.” Musical America 71, no. 4 (March 1951): 32--33.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1953
Complete Citation:
Sabin, Robert. “A Charles Ives Work for Chamber Orchestra.” Musical America 73, no. 1 (January 1, 1953): 24.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Salzman, By E.
Year: 1960
Complete Citation:
Salzman, By E. “Records: Ives: His Symphony no. 2 is Really Sophisticated.” The New York Times, September 25, 1960, X21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Salzman, Eric
Year: 1960
Complete Citation:
Salzman, Eric. “Records: Ives. His Symphony No. 2 Is Really Sophisti-cated.” New York Times. September 1960, sec. 2, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once.” The New York Times. May 27, 1962, sec. 2, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once: Historical Panorama Something Borrowed Broad Conception Time Advantage More Musical.” The New York Times, May 27, 1962, X18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Salzman, Eric. “New Stereo Discs for a Further Look at Ivesian Questions and Answers.” High Fidelity 16, no. 4 (June 1966): 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. “Charles Ives: Music Big as Life.” HiFi/Stereo Review 19/2, August 1967, 65-67.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Salzman, Eric. “The Piano Music of Charles Ives.” HiFi/Stereo Review 21, no. 2 (August 1968): 72-73.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Samaroff, Olga
Year: 1927
Complete Citation:
Olga Samaroff, “Music.” New York Evening Post (January 31, 1927): 7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Saminsky, Lazare
Year: 1931
Complete Citation:
Lazare Saminsky, “Etats-Unis: Concerts et Premieres a New-York.” La Revue Musicale 12, 113 (March 1931): 258.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Saminsky, Lazare. “Chroniques et Notes: États--Unis, La Musique a New York, Philadelphia et Boston.” La Revue Musicale 12/120 (November 1931): 355-356.Notes: Quotation from article: “Boston Chamber Symphony, dirige par Nicolas Slo-nimsky, musicien brillant, nous fit connaitre une <i>Suite </i>[No. 2] tres singuliere et tres americaine de Charles Ives.”
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Saminsky, Lazare. “Encounters Stimulating and Otherwise.” Modern Music IX, 1 (November-December 1931): 39.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Samuel, Claude
Year: 2001
Complete Citation:
Samuel, Claude. “Charles Ives: “Three-Page Sonata. The Anti-Abolitionist Riots. Study no. 20. Varied Air and Variations. Scene Episode. Piano Sonata no. 2.”” Diapason: le magazine du disque et de la musique vivante (2001): 92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Samuel, Claude. “22 Février 1951: Création de la Symphonie no2 de Ives.” Diapason: le magazine du disque et de la musique vivante (2010): 66.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Sanborn, Pitts
Year: 1928
Complete Citation:
Pitts Sanborn. “Pro Musica Gives Its First Referendum Program Concert.” New York Telegram (November 15, 1928): 12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sandow, Greg
Year: 2000
Complete Citation:
Sandow, Greg. “Twenty-One Sides of Fischer-Dieskau.” Opera News, Vol. 65, No. 5 (2000): 56-57.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Sargeant, Winthrop
Year: 1958
Complete Citation:
Sargeant, Winthrop. “Music Events: Opening Concert.” The New Yorker 34 (October 11, 1958): 168-171.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1958
Complete Citation:
Sargeant, Winthrop. “Saluting Mr. Ives.” The New Yorker, October 11, 1958.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances