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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Z., Pamela

Year: 2000
Complete Citation:
Z., Pamela. “Concert Reviews: Talking Music at Davies Hall.” 21st Century Music, Vol. 7, No. 8 (2000): 21-22.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

no author listed

Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Complete Citation:
“Composers’ Group Has Final Concert: Fifth of League's Programs is Divided between Native and European Works. Harris Concerto Played Novelty of Yaddo Festival is Warmly Received - Songs by Charles Ives Presented.” The New York Times. April 9, 1934: 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Complete Citation:
“Advice to an Astonished Audience: Don’t Cough.” Globe and Mail, May 28, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Complete Citation:
Chinen, Nate. “Tinges of Electro-Pop and some Ives, Too.” The New York Times, February 19, 2010, C15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1888
Complete Citation:
“Amusements. The German Dramatic Association.” Danbury Evening News. January 17, 1888, 3.
Source: Newspaper/Book
Reprints:

“Amusements. The German Dramatic Association.” In <i>Charles Ives and His World</i>, 274-275. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1888
Complete Citation:
Concert program. “Kinder Concert,” March 7, 1887, Danbury, CT: City Hall. Davis Library, College of Insurance, New York City.
Notes:

The first printed concert program with Ives’s name on it. Indicates that the thirteen- year old Ives played drum and musical glasses for “Kindersymphonie” by Joseph Haydn and for “The Happy Sleighing Party” by Franz Xavier Chwatal in a concert at City Hall in Danbury, CT. An original printed program is in the Davis Library, College of Insurance, New York City.

Source: Concert Program
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1889
Complete Citation:
“Announcement.” Danbury Evening News, October 21, 1889: 3.
Notes:

Erroneously dated 1888 in Ives's compiled references.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1892
Complete Citation:
“Reviews and notices of George and Charles Ives’s performances in Brewster, NY.” Brewster Standard. February 5, 1892: 3; February 12, 1892; February 19, 1892: 3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, The Celestial Country.” Musical Courier 44/17, April 23, 1902, 34.
Source: Magazine
Reprints:

Reprinted in Charles Ives and His World (item 36), 276-77.&nbsp;In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“The Four O’Clock Concert.” Journal and Courier (New Haven), May 8, 1902.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1912
Complete Citation:
“Columns 1-3.” Sun (New York), March 15, 1912, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1923
Complete Citation:
“From Everywhere.” The Cologne Post, Issue 1303, July 1923.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Concerts for the Month: Jerome Goldstein.” Musical Advance (April 1924): 17-18.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1924
Complete Citation:
“Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” New York Herald Tribune, March 19, 1924, 15.
Source: Newspaper
Reprints:

“Goldstein Completes ‘Modernist’ Recital at Aeolian Hall.” In <i>Charles Ives and His World</i>, 290-291. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1925
Complete Citation:
“Quarter-Tone Feature At Referendum Concert: Is Played Purposely on Pianos at Franco American.” The New York Herald, February 15, 1925, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1929
Complete Citation:
“Review.” Morning Tribute [New Orleans], March 25, 1929.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1929
Complete Citation:
“Review.” Chattanooga Times (April 2, 1929).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1930
Complete Citation:
“Old and New.” Danbury Times, June 30, 1930.
Notes:

An editorial quoting a re-sponse to what the difference is between the “old” and “new” schools of music by a “well--known composer of this vicinity.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews