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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
(-) XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Abbot, Christopher

Year: 2002
Complete Citation:
Abbot, Christopher. “Ives: “An American Journey.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 6 (2002): 142-144.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Abbot, Christopher. “The Want List 2003 [Christopher Abbot].” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 2 (2003): 71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Abott, Reverend Jacob

Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.
Source: Literary References
Reprints:

"Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.

XIII. Ives in Literature
B. Fiction

Addiego, J.

Year: 1982
Complete Citation:
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.
Source: Journal
XIII. Ives in Literature
A. Poetry

Addiego, John

Year: 1982
Complete Citation:
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.
Source: Poem
XIII. Ives in Literature
A. Poetry

Alan M. Kriegsman

Year: 1968
Complete Citation:
Kriegsman, Alan M. “A.U.’s Mandel to Unveil Ives Piano Works.” The Washington Post and Times Herald, March 17, 1968, G8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Anderson, Colin

Year: 2007
Complete Citation:
Anderson, Colin. “Classical Recordings: Ives - Symphony No. 1, Symphony No. 4, “Central Park in the Dark.”” Fanfare (January 2007).
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Anderson, Deborah, choreographer and dancer

Year: 1986
Complete Citation:
Deborah Anderson, choreographer and dancer. Waiting (1986); Dance Theater Workshop. Music: Largo from Pre--First Violin Sonata.
Prf: 1986 August 15: New York; Studios, Bessie Schönberg Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Anderson, Jack

Year: 1978
Complete Citation:
Anderson, Jack. “City Ballet Joins ‘Ivesiana,’ ‘Calcium Light Night.’” The New York Times. May 28, 47.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1985
Complete Citation:
Anderson, Jack. “City Ballet: ‘Poulenc Sonata’ and ‘Calcium Light Night’: Review.” The New York Times, 1985.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Anderson, Jack. “Small-Town America.” The New York Times, February 14, 1989, sec. C, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Anderson, Jack. “Small--Town America.” The New York Times, February 14, 1989, sec. C, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1992
Complete Citation:
Anderson, Jack. “Review/Dance; Lubovitch Vignettes Set to Ives: Review.” The New York Times, January 31, 1992.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times, October 14, 1993, sec. C, 18.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times. October 14, 1993, sec. C: 18.
Notes:

Like Ives’s music, Ms. Blankert’s production combined tough mindedness with sentiment.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times, June 15, 1999, sec. E, 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times. June 15, 1999, sec. E: 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Anderson, Rick

Year: 2003
Complete Citation:
Anderson, Rick. “Charles Ives (Sound Recording Review).” Notes, vol. 60, no. 2 (2003): 517.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Anderson, William

Year: 1979
Complete Citation:
Anderson, William. “Advice to Young Composers.” Stereo Review 43/3 (September 1979): 6.
Notes:

The advice he gives is similar to description of Ives: don't “teach at a university,” get “a job in insurance and compose on the side... [and] avoid modern-music concert. ... The method hasn't even been tried, as far as I know, since Charles Ives.”

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ansell, Derek

Year: 2007
Complete Citation:
Ansell, Derek. “Record Reviews: Jamie Baum Septet - “Moving Forward Standing Still.”” Jazz Journal International, Vol. 60, No. 2 (2007): 16.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews