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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Williams, Jonathan

Year: 1975
Complete Citation:
Williams, Jonathan. “Part Two: Essays Before a Sonata.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 353--373.
Notes:

An extended poem in outline form, divided into six sections parallel to Ives's Essays Before a Sonata {All}.

Source: Poem
XIII. Ives in Literature
A. Poetry

Williams, Rory

Year: 2011
Complete Citation:
Williams, Rory. “Hilary Hahn Dives into Ives on Latest CD.” Strings, Vol. 26, No. 4 (2011): 13.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “Sound Comes into Its Own.” Neue Zeitschrift fur Musik 2001/5 (September-October 2001): 12-17.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wolffers, Jules

Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wollny, Ute

Year: 1983
Complete Citation:
Wollny, Ute. “Orchester werke und Kammermusik von Charles Edward Ives bei Radio DDR II.” Musik und Gesellschaft 33 (March 1983): 180-181.
Notes:

Series included twenty-five works; Eberhardt Klemm, commentator.

Source: Journal
B. Recording Reviews

Wright, Stephen

Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wulfert, Eric J.

Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.
Notes:

Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Yother, Mark

Year: 1975
Complete Citation:
Yother, Mark. “Letters to the Editor: Ives Demurrers.” Stereo Review (June 1975) 34/6: 6.
Notes:

A poem (very negative in tone) in response to William Anderson's editorial, “Composer Charles Ives Enters History.” <i>Review </i>34/3 <i>(</i>March 1975): 4.

Source: Poem
XIII. Ives in Literature
A. Poetry

no author listed

Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1935
Complete Citation:
“Phono Review.” Boston Evening Transcript. October 29, 1935, 37-38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1938
Complete Citation:
“June Records.” Time XXXII, 1 (July 4, 1938): 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1948
Complete Citation:
“Milestone in American Music is Recording of Ives’ Sonata.” The Austin American, 1948, 7B.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1953
Complete Citation:
“Features: Charles Ives Recordings.” Vogue 121 (1953): 55.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1957
Complete Citation:
“New LP Releases are Planned: Works of Charles Ives, Liszt Organ Works and Standard Fare.” The New York Times, November 24, 1957, 143.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1957
Complete Citation:
“Reviews of Records.” The Musical Quarterly, Vol. 43, Issue 3 (July 1957): 416.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1961
Complete Citation:
“Orchestra to Spotlight Mahler, Ives Works.” Louisville Times (No-vember 4, 1961): 8.
Notes:

Mentions a performance of Ives's "Decoration Day" in New York.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
“New Records: A Masterpiece by Charles Ives.” The Sun, January 2, 1966, 81.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews