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Bibliography

Smith, Ken

Year: 2004
Complete Citation:
Ken Smith. “The Principal of Chaos.” Gramophone 82/981 (July 2004): 38--41.
Notes:

A rather comprehensive review of recordings of the symphonies [D078. D079, D083, D085, D097, D098, D116, D156, D157, D217, D306, D333, D351, D365, D383, D440, D446, D448, D457, D467, D560, D583] to determine preferred ones. Includes a drawing by Neale Osborne.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Steve

Year: 2002
Complete Citation:
Smith, Steve. “The Classical Score: American Maverick.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 114, No. 6 (2002): 18.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Steve; Holden, Stephen; Schweitzer, Vivien

Year: 2009
Complete Citation:
Smith, Steve, Stephen Holden, and Vivien Schweitzer. “Recordings.” 21st Century Music, Vol. 16, No. 3 (2009): 12.
Source: Journal (recording review or list)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, W. Eugene

Year: 1947
Complete Citation:
Smith, W. Eugene. Portrait -photographs of Ives, Mrs. Ives, and Julian S. Myrick. April, 1948. Photograph. Life, October 31, 1949, 45.
Notes:

In the “Life Congratulates” Section for Ives’s 75th birthday. On assignment from <i>Life</i> magazine. Taken in the New York home of the Iveses. In <i>Photographs, 1934-1975</i>, Hill states that this photograph was "a particular favourite of Smith’s" (164).

Source: Photograph
Reprints:

Mack Burk, James and Michael J. Budds. <i>A Charles Ives Omnibus</i>, 50. Hillsdale, New York: Pendragon Press, 2008. * Bogan Liquor. Advertisement. <i>El Commercio</i> [Quinto, Ecuador] (July 7, 1970): 10. * Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. New Haven, CT: Yale University Press, 1974. See B0687: 42-44. * <i>Photographs, 1934-1975</i>,<br>edited by Gilles Mora and John T, 165. Hill. Paris: Editions du Seuil, 1998; English translation: London: Thames and Hudson, Ltd., 1998, and New York: Harry N. Abrams, 1998. * Also reproduced: numerous times on other recording covers, and in books.

XVI. Photographs and Artwork
A. Photographs
Year: 1949
Complete Citation:
Smith, W. Eugene, “Charles Ives, a photograph.” Life Magazine. October 31, 1949, 45.
Source: Magazine
XVI. Photographs and Artwork
A. Photographs

Steane, John

Year: 2005
Complete Citation:
Steane, John. “Reviews: Vocal - Ives: “A Song - For Anything.”” Gramophone, Vol. 83: 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Steinberg, Michael

Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965, 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965: 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Steinberg, Michael. “Ives First - Just for the Record.” The Boston Globe, July 30, 1966, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stiller, Andrew

Year: 1991
Complete Citation:
Stiller, Andrew. “Recordings - Charles Ives’ Sonatas for Violin and Piano: 1-4 (Complete) performed by Gregory Fulkerson and Robert Shannon.” Musical America, Vol. 111, No. 5 (1991): 46.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stirn, J.

Complete Citation:
Stirn, J. “Listening to the Fourth of July.” South China Morning Post, July 4, 1974, 46.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stone, Kurt

Year: 1966
Complete Citation:
Stone, Kurt. “Ives’s Fourth Symphony: A Review.” Musical Quarterly 52/1 (January 1966): 1-16.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stone, Peter Eliot

Year: 1984
Complete Citation:
Stone, Peter Eliot. “Charles Ives Wall-to-Wall.” High Fidelity/Musical America 34/8 (August 1984): 25-26.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stout, Alan

Year: 1985
Complete Citation:
Stout, Alan. “Review of Charles Ives Symphonies Nos. 2 and 3.” American Music 3, no.4 (Winter 1985): 499-501.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Strongin, T.

Year: 1965
Complete Citation:
Strongin, Theodore. “Modern Music Masters.” The New York Times, April 18, 1965: X16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Strongin, Theodore

Year: 1966
Complete Citation:
Strongin, Theodore. “When Charles Ives Was at Yale.” The New York Times, June 5 1966, sec. 2, 19.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Strongin, Theodore. “Recordings: How Not to Play Ives.” The New York Times, November 19, 1967, sec. 2, 22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Strongin, Theodore. “Ives: Holidays and Places.” The New York Times, July 23, 1967, 19.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Strongin, Theodore. “Lots of Ives in One Box.” The New York Times, April 28, 1968, D30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Strümpe, Marcus

Year: 2009
Complete Citation:
Strümpe, Marcus. “Besprechungen: Tonträger: Unbekümmerte Musik.” Musik und Kirche, Vol. 79, No. 2 (2009): 142.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews