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Bibliography

Fisher, Barbara Milberg

Year: 2005
Complete Citation:
Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Goodman, Hal

Year: 1987
Complete Citation:
Goodman, Hal. "Home Video: Music." The New York Times (1987 November 1) 2: 38.
Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Hampson, Thomas

Year: 2000
Complete Citation:
Thomas Hampson: I Hear America Singing. West Long Branch, NJ: Kultur International Films, Ltd., 2000. Color videocassette 1486, 90 minutes.
Notes:

From program from New York, Town Hall; originally telecast on Great Performances on Public Broadcasting System {E296}.

Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Henry, Derrick

Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Jacobson, Robert

Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.

Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.

Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Mackrell, Judith

Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Martins, Peter, choreographer

Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Schwarz, K. Robert

Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna

Year: 1980
Complete Citation:
Sokolow, Anna. Quartertones. New York, New York: Dance Notation Bureau, 1980.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna and Ilene Fox

Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.
Notes:

Choreography from 1971.

Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna, choreographer

Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.
Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Taper, Bernard

Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.
Notes:

Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).

Source: Book
Reprints:

Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance