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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kisselgoff, Anna

Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kitaj, R. B.

Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.
Notes:

Based on a photograph by W. Eugene Smith.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Kramer, Norman

Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).
Notes:

A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.

Source: Poster
XVI. Photographs and Artwork
B. Artwork

Kueffer, Bruce

Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.
Source: Sculpture
XVI. Photographs and Artwork
B. Artwork

Levine, David

Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.
Notes:

Printed by Stephen Sholinsky.

Source: Etching
XVI. Photographs and Artwork
B. Artwork

Mackrell, Judith

Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

[Maloy?], Carl

Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork

Martins, Peter, choreographer

Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

McNeely, Tom

Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.
Notes:

Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.

Source: Watercolor
XVI. Photographs and Artwork
B. Artwork

Norkin, Sam

Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.
Notes:

After the photograph by W. Eugene Smith.

Source: Magazine
XVI. Photographs and Artwork
B. Artwork

Osborne, Neale

Year: 2004
Complete Citation:
Neale Osborne. Illustration, 2004. Gramophone 82/981, July 2004, 39.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Paolozzi, Eduardo

Year: 1974--1977
Complete Citation:
Paolozzi, Eduardo. From Calcium Light Night, nine paint-ings with titles drawn from Ives's compositions, 1974--1977.
Notes:

Title of Individual Paintings: <br><br>1. Allegro, moderato: Fireman's Parade (1974-1976). <br><br>2. Central Park in the Dark Some 40 Years Ago (1974-1976). <br><br>3. The Children's Hour (1974-1976). <br><br>4. Largo to Presto (1974-1976). <br><br>5. Aeschylus and Socrates (1974-1976). <br><br>6. Calcium Light Night (1974-1976).<br><br>7. Four German Songs (1974-1976).<br><br>8. From Early Italian Poets (1974--1976). <br><br>9. Nettleton (1977).

Source: Painting Series
XVI. Photographs and Artwork
B. Artwork

Pfaffman, Scott

Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.
Source: Sculpture
Reprints:

Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.

XVI. Photographs and Artwork
B. Artwork

Philip Van Aver

Year: 1975
Complete Citation:
Van Aver, Philip. “Untitled (Drawing).” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 294.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Reed, Joseph W.

Year: 1984
Complete Citation:
Reed, Joseph W. “Two Sketches,” 1984. In Three American Originals: John Ford, William Faulkner, & Charles Ives, Middletown, CT: Wesleyan University Press, 1984.
Source: Sketches
XVI. Photographs and Artwork
B. Artwork

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rodrigues, Charles

Year: 1978
Complete Citation:
Rodrigues, Charles. Cartoon. Stereo Review 41/5 (November 1978): 124.
Notes:

Pictures a man in business suit walking by a building with a plaque stating: Charles Ives Insured This Building. October 9, 1919.

Source: Journal/Magazine
XVI. Photographs and Artwork
B. Artwork

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Schwarz, K. Robert

Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance