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Bibliography

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(-) I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ives, Charles E.

Year: 1920
Complete Citation:
Ives, Charles E. Essays Before a Sonata. New York: Knickerbocker Press, 1920.
Source: Book
Reprints:

Ives, Charles E. “Essays Before a Sonata.” In <i>Three Classics in the Aesthetic of Music</i>. New York: Dover, 1962, 103-185.

I. Ives as Author
Year: 1997
Complete Citation:
Ives, Charles E. Prima della Sonate. Translated to Italian by Aloma Bardi. Venice, Italy: Marsilio Editori, 1997.
Source: Book
I. Ives as Author

Ives, Charles; Felix Meyer, translator

Complete Citation:
Ives, Charles. “Music and Its Future.”German translation by Felix Meyer.
Source: (B1142: 201--205).
I. Ives as Author

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Music and Its Future [Muziek en haar Toekomst].” Translated to Dutch by J. Bernlef. In Charles Ives, 104--111. Amsterdam, Netherlands: De Bezige Bij, 1969.
I. Ives as Author

Ives, Charles; Jan Bernlef, translator

Complete Citation:
Ives, Charles. “Music and Its Future.” Dutch translation by Jan Bernlef.
Source: [B0534: 104--111).
I. Ives as Author

Ives, Charles; Julian A. Ripley, editor

Year: 1925
Complete Citation:
Quarter- Century Record of the Class of 1898, Yale College, edited by Julien A. Ripley (Class Steward). New York: The Class Secre-tary Bureau, 1925: 142--143.
Source: University Publication
I. Ives as Author

Ives, Charles / Meyer, Felix translator

Complete Citation:
German by Felix Meyer
Source: [B1079: 27-131}.
I. Ives as Author

Ives, Charles; Meyer, Felix, translator

Complete Citation:
Ives, Charles. “Postface.” German translation by Felix Meyer.
Source: {B1079: 133-14}.
I. Ives as Author

Ives, Charles; Viviana Aliberti, translator

Complete Citation:
Ives, Charles. “Music and Its Future.” French translation by Viviana Aliberti
Source: {B1107: 176--180}.
I. Ives as Author

Kerman, Joseph

Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.
Notes:

For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Lang, Paul Henry

Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.
Notes:

Scattered passing references.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Layton, Robert

Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.
Notes:

“His works show an extraordinary admixture of sheer genius and downright incom-petence.”

Source: Chapter in Book
Reprints:

Revised and Enlarged Edition, 1968: 232-240.

VII. Entries in Larger Volumes
A. Textbook Accounts

Machlis, Joseph

Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Perlis, Vivian

Year: 1994
Complete Citation:
Perlis, Vivian. “Oral History and Music.” The Journal of American History 81/2 (1994): 610-619.
Source: Journal
I. Ives as Author
P. Ives Collaborators and Colleagues

Powell, Larson

Year: 2007
Complete Citation:
Powell, Larson. “Die Zukunft in Ruinen: Versüch Über Charles Ives. 1-3.” Musik & Ästhetik 11/41 (January 2007): 5-26 and 11/42 (April 2007): 5-21.
Source: Journal
I. Ives as Author

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts