Image
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.
Bibliography
Genres
Hall, David
Year: 1964
Source: Magazine
II. Reference Materials
D. Discographies
D. Discographies
Hamm, Chelsey
Year: 2016
Complete Citation:
Hamm, Chelsey. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance.” Ph.D. diss., Jacobs School of Music, Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hamm, Chelsey L.
Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Harvey, Mark Sumner
Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.Source: Ph.D. Dissertation
Reprints:
Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Harvin, Laurence E.
Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Henck, Herbert
Year: 1980
Complete Citation:
Henck, Herbert. “Bibliographie zu Charles Ives (299 Titel).” Neuland 1 (1980): 25-27, 46 52; Neuland 2 (1981/82): 208 and 268; Neuland 3 (1982/83): 243-246.Source: Journal
II. Reference Materials
A. Bibliographies
A. Bibliographies
Year: 1980, 1981-82, 1983-84
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives.” Neuland 1 (1980): 25-27, 46, and 52; 2 (1981-1982): 208 and 268-69; 3 (1983-1984): 243-46.Source: Journal
II. Reference Materials
A. Bibliographies
A. Bibliographies
Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.Source: Chapter in Book
II. Reference Materials
D. Discographies
D. Discographies
Henderson, Clayton
Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Henderson, Joyce Joy
Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hilliard, John Stanley
Year: 1983
Complete Citation:
Hilliard, John Stanley. “Part I: Two Pieces for Orchestra (Original Composition Not Part of Microfilm Copy); Part II: Charles Ives’ Robert Browning Overture: Style and Structure.” D.M.A. Thesis, Cornell University, 1983.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hinton, Hugh
Year: 2002
Complete Citation:
Hinton, Hugh. “Ives and transcendentalism: a third look.” D.M.A. dis-s., New England Conservatory of Music, 2002.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hong, Seung-Ah
Year: 2012
Complete Citation:
Hong, Seung-Ah. “Selected Piano Sonatas from the Early- through Mid-20th Century.” D.M.A. diss., University of Maryland, College Park, 2012.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hurst, Rolland W.
Year: 1971
Complete Citation:
Hurst, Rolland W. “A Study, Analysis and Performance of Selected Songs by Charles Ives.” Ph.D. diss., Columbia University, 1971.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hwang, Mi K.
Year: 2009
Complete Citation:
Hwang, Mi K. “Elements of Jazz Style in Twentieth-Century American Organ Works: Selected Works of Charles Ives, William Albright, and William Bolcom.” D.M.A. thesis, University of Arizona, 2009.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ishii, Reiko
Year: 2005
Complete Citation:
Ishii, Reiko. “The Development of Extended Piano Techniques in Twentieth-Century American Music.” D.Mus. diss., Florida State University, 2005.Source: D.Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ives, Charles
Year: 1962
Complete Citation:
Ives, Charles. “Essays Before a Sonata.” In Three Classics in the Aesthetic of Music. New York, NY: Dover Publications, 1962.Source: Chapter in Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.Notes:
Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
F. Selected Archival Materials
Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky
Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.Source: Manuscript Collection
II. Reference Materials
E. Correspondence
E. Correspondence
Jacklin, Brendan
Year: 2017
Complete Citation:
Jacklin, Brendan. “Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives.” University of Cincinnati, College-Conservatory of Music, 2017.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations