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Bibliography

Genres

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I. Ives as Author
(-) II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hecht, Roger

Year: 2014
Complete Citation:
Hecht, Roger. “Guide to Records: Seattle Symphony - “Ives: Symphony 2; Gershwin: ‘American in Paris’; Carter: ‘Instances.’”” American Record Guide, Vol. 77, No. 5 (2014): 109-110.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Helm, Everett

Year: 1962
Complete Citation:
Helm, Everett. “Another Concord Sonata.” Musical America 82, no. 6 (June 1962): 27-28.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hemming, Roy

Year: 1985
Complete Citation:
Hemming, Roy. “Michael Tilson Thomas.” Stereo Review 50/7 (July 1985): 53-55.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Henahan, Donal

Year: 1970
Complete Citation:
Henahan, Donal. “Recordings: Was Ives Merely an Inspired Dabbler?” The New York Times, July 19, 1970, 87.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play their Own Music: The Value of some Historical Recordings is that they ‘Leave Little Doubt as to how the Composer Wanted His Music Played.’” The New York Times, July 14, 1974, 107.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play Their Own Music.” The New York Times, July 14, 1974, sec. 2, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. “Bibliographie zu Charles Ives (299 Titel).” Neuland 1 (1980): 25-27, 46 52; Neuland 2 (1981/82): 208 and 268; Neuland 3 (1982/83): 243-246.
Source: Journal
II. Reference Materials
A. Bibliographies
Year: 1980, 1981-82, 1983-84
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives.” Neuland 1 (1980): 25-27, 46, and 52; 2 (1981-1982): 208 and 268-69; 3 (1983-1984): 243-46.
Source: Journal
II. Reference Materials
A. Bibliographies
Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Hewett, Ivan

Year: 2003
Complete Citation:
Hewett, Ivan. “Reviews: Chamber - A Little Help from Their Friends: [Charles Ives].” BBC Music Magazine, Vol. 11, No. 7 (2003): 68.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hitchcock, H. Wiley

Year: 1995
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana on Disk.” Newsletter - Institute for Studies in American Music 24, no. 2 (Spring 1995): 7.
Source: Newsletter
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Homfray, Tim

Year: 2014
Complete Citation:
Homfray, Tim. “Reviews-CDs: Sounds of a Century.” The Strad, Vol. 125 (2014): 90.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hume, Paul

Year: 1974
Complete Citation:
Hume, Paul. “Piano Sonatas.” The Washington Post, October 15, 1974: B11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ives, Charles

Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.
Notes:

Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.

Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky

Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.
Source: Manuscript Collection
II. Reference Materials
E. Correspondence

Jack, Adrian

Year: 1974
Complete Citation:
Jack, Adrian. “Ives, Symphonies.” Records and Recording 18/1 (October 1974): 47-48.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Jack, Adrian. “Ives Recordings.” Records and Recording 18/2 (November 1974): 81.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Jack, Adrian. “Charles Ives, The Celestial Country.” Records and Recording 18/6 (March 1975): 62.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Jacobson, Bernard

Year: 1966
Complete Citation:
Jacobson, Bernard. “Zukovsky and Kalish Play Ives.” High Fidelity/Musical America 16, no. 4 (April 1966): 152.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Jacobson, Bernard. “American Symphony Orchestra: Stokowski.” High Fidelity/Musical America 17, no. 3 (March 1967), p. 16.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews