Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Anonymous
Year: 2008
Complete Citation:
“Yale University Library Announces Grant from Andrew W. Mellon Foundation to Support Oral History American Music Project.” The Bulletin of the Society for American Music 34, no. 3 (Fall 2008): 59.Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Block, Geoffrey
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Brown, Ray
Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Burkholder, J. Peter
Year: 1996
Complete Citation:
Burkholder, J. Peter “Models and Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 39-43. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1998
Complete Citation:
Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale [Keynote Address].” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints: Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale.” <i>College Music Symposium</i> 39 (1999): 27--42.
VI. Topical Studies
O. Ives and Yale
Year: 1999
Complete Citation:
Burkholder, J. Peter. “Ives and Yale: The Enduring Influence of a College Experience.” College Music Symposium 39 (1999): 27-42.Source: Journal
VI. Topical Studies
O. Ives and Yale
Chase, Gilbert
Year: 1974
Complete Citation:
Chase, Gilbert. “Editor’s Outlook: Charles Ives Remembered.” Anuario Interamericano De Investigacion Musical, vol. 10, (1974): 170-174.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Deming, Clarence
Year: 1915
Complete Citation:
Deming, Clarence. Yale Yesterdays. New Haven, CT: Yale University Press, 1915.Source: Book
VI. Topical Studies
O. Ives and Yale
Downes, Olin
Year: 1955
Complete Citation:
Downes, Olin. “Ives Memorial: His Scores and Papers Given to Yale.” The New York Times. June 5, 1955, sec. 2: 9.Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections
Hebb, Furman
Year: 1963
Complete Citation:
Hebb, Furman. “Editorially Speaking.” HiFi/Stereo Review 13/3 (Sep-tember 1963): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Hitchcock, H. Wiley
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “Editing Ives's 129 Songs.” In Ives Studies, 51-76. Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997. Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Hitchcock, H. Wiley and Vivian Perlis
Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Kalk, Thomas
Year: 1994
Complete Citation:
Kalk, Thomas. “Charles Ives (1874-1954). Bestandsverzeichnisse. Ein verzeichnis der in öffentlichen Musikbibliotheken der Bundesrepublik Deutchland vorhandenen Werke.” Forum Musik Bibliothek 1 (1994): 51-72.Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Keller, James M.
Year: 2015
Complete Citation:
Keller, James M. “Studio Portrait: Composer Charles Ives.” TCA Regional News, 2015, March 6.Source: Newspaper
II. Reference Materials
C. Library and Institutional Collections
Kirkpatrick, John
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices