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Bibliography

Logan, Adeline Marie

Year: 1943
Complete Citation:
Logan, Adeline Marie. “American national music in the compositions of Charles Ives.” M.A. Thesis, University of Washington, 1943.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Lotto, Albert

Year: 1978
Complete Citation:
Lotto, Albert. “Experimental aspects of the completed short piano pieces of Charles Ives: with an edition of the unpublished works.” D.M.A. Thesis, The Juilliard School, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lyman, Zachary Taft

Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lynn, Debra J.

Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.
Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Magee, Noel Howard

Year: 1966
Complete Citation:
Magee, Noel Howard. “The Short Piano Works of Charles Ives.” M.M. Thesis, Indiana University, 1966.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Magers, Roy V.

Year: 1975
Complete Citation:
Magers, Roy V. “Aspects of Form in the Symphonies of Charles E. Ives.” Ph.D. diss., Indiana University, 1975.
Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Maltz, Richard Steven

Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Manton, Jonathan

Year: 2018
Complete Citation:
Manton, Jonathan. “Digital Project Update: Rare Charles Ives Recordings Now Available for Streaming.” Music Reference Services Quarterly, vol. 21, no. 4 (2018): 219-220.
Source: Journal
II. Reference Materials
C. Library and Institutional Collections
Year: 2019
Complete Citation:
Manton, Jonathan. “Yale University’s Irving S. Gilmore Music Library.” Notes 75, no. 3 (2019): 479.
II. Reference Materials
C. Library and Institutional Collections

Marstal, Henrik

Year: 1994
Complete Citation:
Marstal, Henrik. “Mahler og Ives: modernitetsaspekter: kollage-og citatanvendelser i udvalgte værker af Gustav Mahler og Charles E. Ives.” Thesis, Musikvidenskabeligt Institut, Københavns Universitet, 1994.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Martin, Warren Charles

Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Massey, Drew

Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mays, Kenneth Robert

Year: 1961
Complete Citation:
Mays, Kenneth Robert. “The use of hymn tunes in the works of Charles Ives.” M.M. Thesis, Indiana University, 1961.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCalla, James

Year: 1973
Complete Citation:
McCalla, James. “Structural and harmonic innovations in the music of Schoenberg, Stravinsky and Ives prior to 1915.” M.M. thesis, New England Conservatory of Music, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McCandless, William Edgar

Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McClees, Nancy Susan

Year: 1971
Complete Citation:
McClees, Nancy Susan. “The musical of Charles Ives as applied in his trio for violin and 'cello and piano.” M.A. Thesis, Dominican College of San Rafael, 1971.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

McDonald, Charlene Harb

Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.
Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McDonald, Matthew James

Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mehl, Kenneth B.

Year: 1974
Complete Citation:
Mehl, Kenneth B. “A stylistic analysis and comparison of four settings of Psalm 150: Franck, Bruckner, Ives and Hanson.” M.M. thesis, Southern Illinois University Edwardsville, 1974.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations