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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Baldwin, Linda, producer-director

Year: 1979
Complete Citation:
Baldwin, Linda, producer--director. “12th Street Rag.” Nebraska Educational Television Network for the Mid--America Arts Alliance. November 22, 23, 24, 1979.
Source: Telecast
Reprints:

Telecast on stations in Missouri, Oklahoma, Kansas, and Nebraska.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Bernstein, Leonard; New York Philharmonic

Complete Citation:
“Charles Ives: American Pioneer.” New York Philharmonic Young Peo-ple’s Concerts with Leonard Bernstein. New York, NY: CBS-TV, 60 minutes. February 23, 1967.
Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Brockway, Merrill, producer

Year: 1970
Complete Citation:
Brockway, Merrill, producer. “La Belle Epoque.” Camera Three. Virgil Fox, organ. WCBS-TV, 30 minutes. Fall 1970.
Source: Telecast/Videocassette
Reprints:

Includes Variations on “America.” Available on videocassette.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Cohn, Arthur

Complete Citation:
Cohn, Arthur. “Charles Ives.” In Recorded Classical Music: A Critical Guide to Compositions and Performances, 902-927. New York, NY: Schirmer Books, 1981.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Cowell, Henry

Year: 1932
Complete Citation:
Cowell, Henry. “Charles E. Ives.” Disques, November 1932, 374-376.
Source: Magazine
Reprints:

Cowell, Henry. "Charles E. Ives.” In <i>Charles Ives and His World</i>, 368-372. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

II. Reference Materials
D. Discographies

Davis, David M., producer/director; Aaron Copland, host/writer

Year: 1965
Complete Citation:
Davis, David M., producer/director; Copland, Aaron host/writer. “Experi-mental Attitudes (I).” Music of the Twenties series, Program 11. National Educational Television, 30 minutes. June 6, 1965.
Notes:

Originally telecast on over Performances of The Unanswered Question (Roger Voisin, trumpet, four flutes, Cambridge Festival Orchestra; Aaron Copland, conductor; Kalman Novak, associate conductor), and Two Little Flowers', Serenity, and Charlie Rutlage (Donald Gramm, baritone; Richard Cumming, piano). Viewing copy in Library of Congress.

Source: Telecast
Reprints:

Rebroadcast on Boston, MA: WGBH-TV, 30 minutes.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Discussion by Morton Gould (nar-rator), Henry Cowell, Corinne Curry, and Harold Farberman.

Complete Citation:
“Charles Ives: American Original.” The World Of Music Series. Program No. 17. Newark, NJ: WNDT, 30 minutes. 1965.
Source: Telecast
Reprints:

Rebroadcast on National Educational Television.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles Edward Ives.” Listen 5 (Sep-tember-October 1964): 15-16.
Source: Journal
II. Reference Materials
D. Discographies

Englander, Roger, producer/director - Leonard Bernstein, narrator/conductor.

Year: 1961
Complete Citation:
Englander, Roger, producer/director; Bernstein, Leonard, narrator/conductor. “Folk Music in the Concert Hall.” New York, NY: CBS-TV Telecast, April 9, 1961.
Notes:

Includes 5th movement from Ives Symphony No. 2.

Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Glafcke, Patricia

Year: 2004
Complete Citation:
Glafcke, Patricia. “Auswahl—Diskographie.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 204-206. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Hall, David

Year: 1964
Complete Citation:
Hall, David. “Charles Ives: A Discography.” In three parts. HiFi/Stereo Review 13/4, October 1964, 142-45; 13/5, November 1964, 102-106; 13/6, December 1964, 92-96.
Source: Magazine
II. Reference Materials
D. Discographies

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Henck, Herbert

Year: 1983
Complete Citation:
Henck, Herbert. “Literatur zu Charles Ives. 129 Neuaufnahmen.” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
II. Reference Materials
D. Discographies

Isham, Howard

Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.
Source: Journal
VI. Topical Studies
I. Compositional Process

James Drew

Year: 1970
Complete Citation:
“Modern Music and the Debt to Charles Ives.” Yale Reports Series. Hartford, CT: WTIC, 2 parts: 30 minutes each. Part 1 on December 27, 1970; Part 2 on January 3, 1971.
Source: Telecast
Reprints:

Discussion of Ives as a composer, of his father, of his musical background, of the traditions that influenced him, of the structure of his compositions, and of his influence on other composers by James Drew, Assistant Professor of Music Theory at Yale University. Recorded musical examples for illustration chosen from works by Ives, George Rochberg, Luciano Berio, and James Drew.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Kolter, Horst

Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.
Source: Journal
VI. Topical Studies
I. Compositional Process