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Bibliography

Warburton, Thomas

Year: 1998
Complete Citation:
Warburton, Thomas. “Charles Ives and Ragtime.” Studi Musicali, Vol. 27, No. 1 (1998): 209-238.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ward, Charles

Year: 1999
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, November 28, 1999, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, October 29, 2000: 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

West, Michael J.

Year: 2009
Complete Citation:
West, Michael J. “Reviews: CDs - Theo Bleckmann & Kneebody; Theo Bleckmann/John Hollenbeck/Gary Versace.” JazzTimes: America's Jazz Magazine, Vol. 39, No. 5 (2009): 58.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Westenburg, Richard

Year: 1974
Complete Citation:
Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Whittaker, Herbert

Year: 1970
Complete Citation:
Whittaker, Herbert. “Music on Records: Rhythmic Experiments in Ives Collection.” The Globe and Mail, October 8, 1970, 11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Willis, Thomas

Year: 1967
Complete Citation:
Willis, Thomas. “Records.” Chicago Tribune, July 16, 1967, E9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Willis, Thomas. “Records: Virtuosity in Music’s Service: Horowitz, Lipatti, Masselos.” Chicago Tribune, April 16, 1967, E11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Willis, Thomas. “A Quilt Well Stitched.” Chicago Tribune, June 17, 1968, B12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Williams, Claire Vaquero

Year: 2009
Complete Citation:
Williams, Claire Vaquero. Discos: Británicos e irlandeses. Scherzo: Revista de Música, Vol. 24 (2009): 69.
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Williams, Rory

Year: 2011
Complete Citation:
Williams, Rory. “Hilary Hahn Dives into Ives on Latest CD.” Strings, Vol. 26, No. 4 (2011): 13.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “Sound Comes into Its Own.” Neue Zeitschrift fur Musik 2001/5 (September-October 2001): 12-17.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wolffers, Jules

Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wollny, Ute

Year: 1983
Complete Citation:
Wollny, Ute. “Orchester werke und Kammermusik von Charles Edward Ives bei Radio DDR II.” Musik und Gesellschaft 33 (March 1983): 180-181.
Notes:

Series included twenty-five works; Eberhardt Klemm, commentator.

Source: Journal
B. Recording Reviews

Wright, Stephen

Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wulfert, Eric J.

Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.
Notes:

Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

no author listed

Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews