Müller, Hermann Christoph
Year: 2004
Complete Citation:
Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur
nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mundy, Rachel
Year: 2013
Complete Citation:
Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Musgrave, Thea
Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Myers, Kurtz
Year: 1978
Complete Citation:
Myers, Kurtz. Index to Record Reviews, 74-78. Vol. 2. Boston, MA: G. K. Hall, 1978.Notes: Later Supplements include idem, <i>Index to Record Reviews, 1978-1983</i>, 165. Boston, MA: G.K. Hall and Co., 1985; and idem, <i>Index to Record Reviews,</i> <i>1984-1987</i>, 98. Boston, MA: G.K. Hall and Co., 1989.
Source: Book
II. Reference Materials
D. Discographies
Myrick, Julian S.
Year: 1930
Complete Citation:
Myrick, Julian S. “What the Business Owes to Charles E. Ives.” Eastern Underwriter, Life Insurance Salesmanship Edition (September 19, 1930): 18.Source: Journal
VI. Topical Studies
D. Insurance
Nagano, Kent
Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick
Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
Nattiez, Jean-Jacques
Year: 1990
Complete Citation:
Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Neumann, Friedrich
Year: 2010
Complete Citation:
Neumann, Friedrich. “Short Music Story: Charles Ives: Eine Frage ist besser als eine Antwort.” Musik and Bildung: Praxis Musikerziehung, Vol. 42, No. 2 (2010): 64-67.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Newman, Ron
Year: 1985
Complete Citation:
Newman, Ron. “Ragtime Influences in the Music of Charles Ives.” Jazz Research Papers 5 (1985): 145-156.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Nicholls, David
Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2011
Complete Citation:
Nicholls, David. “‘The Unanswered Question of Her Son’s Biography’: New Thoughts on Mollie Ives.” Journal of the Society for American Music 5.1 (February 2011): 95-111.Source: Journal
VI. Topical Studies
N. Ives’ Childhood
Niemöller, Klaus Wolfgang
Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Niermann, Franz
Year: 1999
Complete Citation:
Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.Notes: Discusses Central Park in the Dark.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Nieuwstadt, Jacques van
Year: 1991
Complete Citation:
van Nieuwstadt, Jacques. “Charles Ives: realisme en pragmatisme (I): Muzikale citaten and Charles Ives, realisme en pragmatisme (II): Vernieuwende nostalgie.” Mens & Melodie 46 (November-December 1991): 601-605 and 47 (January 1992): 13-17.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Nimczik, Ortwin
Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Noble, David W.
Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
