Betz, Marianne
Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Elkus, Jonathan
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky
Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.Source: Manuscript Collection
II. Reference Materials
E. Correspondence
Kehrmann, Boris
Year: 2000
Complete Citation:
Voices of Our Time Series. "A Contemporary Songs Selection."TDK (DVD DVUS-VTDU, 2000), 91 minutes. Recital of 2000 January 26 at the Teatre Musical de Paris—Chatelet; Dawn Upshaw, soprano; Gilbert Kalish, piano. Booklet Notes in English, German, and French by Boris Kehrmann. Includes Memories and The Circus Band.Source: DVD
B. Films
Lopate, Phillip
Year: 1999
Complete Citation:
Lopate, Phillip. “Above the Battle, Musing on the Profundities.” The New York Times. January 17, 1999, sec. 2, 11.Source: Newspaper
XV. Television Broadcasts, Films, and Videocassettes
B. Films
McCarrell, Stuart
Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Norman, Gertrude and Miriam Shrifte, eds.
Year: 2010
Complete Citation:
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.Source: Book
II. Reference Materials
E. Correspondence
Ormandy, Eugene, David Ewen and F. Warren O’Reilly
Year: 1973
Complete Citation:
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters. “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy Papers, Kislak Center for Special Collection, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.Notes: Correspondence related to Ives
Source: Archival Material
II. Reference Materials
E. Correspondence
Owens, Tom C., editor
Year: 2007
Complete Citation:
Owens, Tom C., ed. Selected Correspondence of Charles Ives. Berkeley: University of California Press, 2007.Source: Book
II. Reference Materials
E. Correspondence
Redmond, Michael
Year: 1975
Complete Citation:
Redmond, Michael. “Filmers Give Bloomfield Church a Second ‘Look’ at Charles Ives.” Star-Ledger (New Jersey), October 21, 1975, 29.Source: Newspaper
B. Films
Rosenfeld, Paul
Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Scheffer, Frank, producer and director
Year: 2004
Complete Citation:
Frank Scheffer, producer and director. Elliott Carter: Labryinth of Time. Allegri Film/ldeale Audience International, DVD 9DS17, 2004. Color and black and white, 90 minutes. Includes excerpts from The Unanswered Question and Concord Sonata when Carter discusses Ives. Later an ex-cerpt from Figment No. 2— Remembering Mr. Ives {El52} is played.Source: DVD
B. Films
Stepanich, Greg
Year: 2007
Complete Citation:
Stepanich, Greg. “Illumination from Letters of a Misunderstood Genius.” The Palm Beach Post, October 14, 2007, 7.Source: Newspaper
II. Reference Materials
E. Correspondence
Stokowski, Leopold and Brooks Shepard
Year: 1964-1964
Complete Citation:
Stokowski, Leopold and Brooks Shepard. Lettters. “Correspondence with Leopold Stokowski, 1963-1964,” 1963-1964, Edwin A. Fleisher Music Collection, Irving S. Gilmore Music Library, Yale University, New Haven, Connecticut.Notes: Comprises 2 letters from Stokowski to Brooks Shepard, Librarian, concerning Charles Ives’ Fourth Symphony.
Source: Archival Material
II. Reference Materials
E. Correspondence
Timreck, Theodor W.
Year: 1977
Complete Citation:
Timreck, Theodor W., director and producer. “A Good Dissonance Like a Man.” Made-for-television movie. Under the supervision of Vivian Perlis, 1977.Source: Made-for-television movie
B. Films
Von Glahn, Denise
Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Weiler, A.H.
Year: 1977
Complete Citation:
Weiler, A.H. “Film Forum: Charles Ives and Harry Partch, 2 Originals.” The New York Times, April 22, 1977, 73.Source: Newspaper
B. Films
no author listed
Year: 1970
Complete Citation:
Virgil Fox Plays the Wanamaker Grand Court Organ, Philadelphia. See- Music DVD (SMD-042; 2004). From "La Belle Epoque," Camera Three television program WCBS-TV, 1970 Fall {E290}. Includes Variations on "America."Source: DVD
B. Films
Year: 1978
Complete Citation:
“A Good Dissonance Like A Man.” Call and Post, September 2, 1978, 19A.Source: Newspaper
B. Films
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.Source: Letter
VI. Topical Studies
M. Ives and Manhattan