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Bibliography

Baron, Carol K.

Year: 1992
Complete Citation:
Baron, Carol K. “George Ives’s Essay in Music Theory: An Introduction and Annotated Edition.” American Music 10/3 (Fall 1992): 239-288.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 2000
Complete Citation:
Baron, Carol K. “New Ives Sources.” Institute for Studies in American Music Newsletter 29/2 (Spring 2000).
Source: Journal
II. Reference Materials
F. Selected Archival Materials

Bauer, Marion

Year: 1933
Complete Citation:
Bauer, Marion. 20th Century Music: How It Developed, How to Listen to It, 278. New York, NY: G.P. Putnam’s Sons, 1933.
Source: Book
Reprints:

Bauer, Marion. <i>20th Century Music: How It Developed, How to Listen to It</i>, 278. New York, New York: Da Capo Press, 1978, 278.

VII. Entries in Larger Volumes
D. Other

Bellamann, Henry

Year: 1927
Complete Citation:
Bellamann, Henry. 1927. “Program Notes.” Pro Musica Concert, January 29. Charles Ives Pa-pers, Mss.14, folder 2, Box 50. Irving S. Gilmore Music Library, Yale University. New Haven.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials

Berger, Arthur

Year: 1933
Complete Citation:
Berger, Arthur. “Charles Ives,” June 4, 1933. Typescript for Pan American Concert. Charles Ives Papers. Mss. 14, folder 2, box 56. Irving S. Gilmore Music Library, Yale University. New Haven.
Source: Journal
II. Reference Materials
F. Selected Archival Materials

Bernstein, Leonard

Year: 1958
Complete Citation:
Bernstein, Leonard. “Thursday Evening Preview Scripts: Opening of the New York Philharmonic Season of 1958-1959,” October 2, 1958. Leonard Bernstein Collection, folder 13, box 75. Music Division, Library of Congress, Washington D.C.
Source: Preview Script
II. Reference Materials
F. Selected Archival Materials
Year: 1967
Complete Citation:
Bernstein, Leonard. “Young People’s Concerts Scripts: Charles Ives: American Pioneer,” 1967. February 23. Leonard Bernstein Collection, folder 04, box 111. Music Division, Library of Congress, Washington D.C.
Source: Program Script
II. Reference Materials
F. Selected Archival Materials

Blume, Friedrich

Year: 1975
Complete Citation:
Blume, Friedrich. Epochen der Musikgeschichte. Munich, Germany: Deutscher Taschenbuch Verlag, 1975.
Source: Book
VII. Entries in Larger Volumes
D. Other

Brooks, William and Burkholder, J. Peter

Year: 1982
Complete Citation:
Brooks, William, and Burkholder, J. Peter. Typescript. “Books in Bigelow Ives’ Library and Identified by Him as Belonging to Charles Ives or His family.” Spring 1982, revised March 1984.
Source: Unpublished, 1982
II. Reference Materials
F. Selected Archival Materials

Clendenin, William R.

Year: 1965
Complete Citation:
Clendenin, William R. Music, History and Theory, 392-393. Garden City, NY: Doubleday, 1965.
Source: Book
VII. Entries in Larger Volumes
D. Other

Cowell, Henry and Nicolas Slonimsky

Year: 1931
Complete Citation:
Cowell, Henry and Nicolas Slonimsky. Program Notes. Pan American Concert, Paris, June 6, 1931.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials

Ewen, David

Year: 1949
Complete Citation:
Ewen, David. American composers today, a biographical and critical guide. New York, NY: H.W. Wilson Co., 1949.
Source: Book
VII. Entries in Larger Volumes
D. Other

Gibbens, John Jeffrey

Year: 1989
Complete Citation:
Gibbens, John Jeffrey. “Debussy, counterpart and rejected model: an essay on Charles Ives.” Unpublished Manuscript, 1989.
Notes:

Originally commissioned for a collection of essays edited by Geoffrey Block

Source: Unpublished Manuscript
II. Reference Materials
F. Selected Archival Materials

Griffiths, Paul

Year: 1994
Complete Citation:
Griffiths, Paul. Modern music: a concise history. London, United Kingdom: Thames and Hudson, 1994.
Source: Book
VII. Entries in Larger Volumes
D. Other

Ives, Charles

Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.
Notes:

Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.

Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky

Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.
Source: Manuscript Collection
II. Reference Materials
E. Correspondence

Johnson, Axel, ed.

Year: 1934
Complete Citation:
Johnson, Axel, ed. “Ives, Charles.” The Music Lover’s Guide (February 1934): 173.
Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other

Johnson, H. Earle

Year: 1950
Complete Citation:
Johnson, H. Earle Johnson. Symphony Hall, Boston, 352. Boston, MA: Little Brown, 1950.
Source: Concert program
II. Reference Materials
F. Selected Archival Materials

Kahn, Eve M.

Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved: Movies, Performing Arts/Weekend Desk.” The New York Times, February 28, 2014.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials

Kaufman, Helen L.

Year: 1943
Complete Citation:
Kaufman, Helen L. “Charles Ives.” In The Story of One Hundred Great Composers. New York, NY: Grosset & Dunlap, 1943.
Source: Chapter in Book
Reprints:

Kaufman, Helen L. “Charles Ives.” In <i>The Story of One Hundred Great Composers</i>, 73. New York, NY: Grosset & Dunlap, 1957.

VII. Entries in Larger Volumes
D. Other