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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Buckley, Dan

Year: 1998
Complete Citation:
Dan Buckley. “Slatkin Speaks.” Stereophile (March 1998): 85--87.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Eatock, Colin

Year: 2013
Complete Citation:
Eatock, Colin. “Marc-Andre Hamelin on the Road Less Travelled.” Queen’s Quarterly 120, no. 2 (Summer 2013): 290.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Ford, Keith

Year: 2007
Complete Citation:
Ford, Keith. Musicological Research - Charles Ives: Handle with Care. The Triangle of Mu Phi Epsilon, Vol. 101, No. 1 (2007): 4.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Ives, Charles, Harmony Twitchell Ives, and Anton Rovinsky

Year: 1928, 1951
Complete Citation:
Correspondence from Charles and Harmony Twitchell Ives to Anton Rovinsky, 1928, 1951. General Manuscript Collection, Northwestern University Music Library, Evanston, Illinois.
Source: Manuscript Collection
II. Reference Materials
E. Correspondence

Jolly, James

Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.
Notes:

A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Norman, Gertrude and Miriam Shrifte, eds.

Year: 2010
Complete Citation:
Norman, Gertrude and Miriam Shrifte, eds. “Charles Ives.” In Letters of composers: an anthology. Whitefish, Montana: Kessinger Legacy Reprints, 2010.
Source: Book
II. Reference Materials
E. Correspondence

Ormandy, Eugene, David Ewen and F. Warren O’Reilly

Year: 1973
Complete Citation:
Ormandy, Eugene, David Ewen and F. Warren O’Reilly. Letters. “Correspondence: with Eugene Ormandy, 1973,” 1973, Eugene Ormandy Papers, Kislak Center for Special Collection, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania.
Notes:

Correspondence related to Ives

Source: Archival Material
II. Reference Materials
E. Correspondence

Owens, Tom C., editor

Year: 2007
Complete Citation:
Owens, Tom C., ed. Selected Correspondence of Charles Ives. Berkeley: University of California Press, 2007.
Source: Book
II. Reference Materials
E. Correspondence

Riedel, Johannes

Year: 1975-1976
Complete Citation:
Riedel, Johannes. “Centennial Ives’s issue celebrating the USA's 200th birthday.” Student Musicologists at Minnesota, v. 6. Minneapolis, MN: University of Minnesota, Department of Music, 1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes, ed.

Year: 1975-1976
Complete Citation:
Riedel, Johannes, ed. Student musicologists at Minnesota: Centennial Ives issue celebrating the USA's 200th Birthday. Minneapolis: University of Minnesota, College of Liberal Arts, Dept. of Music, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes (editor)

Year: 1975-1976
Complete Citation:
Riedel, Johannes. Student Musicologists at Minnesota, Vol. VI: Centennial Ives Issue Celebrating the USA’s 200th Birthday. Minneapolis, Minnesota: University of Minnesota, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Seibert, Donald C.

Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Stepanich, Greg

Year: 2007
Complete Citation:
Stepanich, Greg. “Illumination from Letters of a Misunderstood Genius.” The Palm Beach Post, October 14, 2007, 7.
Source: Newspaper
II. Reference Materials
E. Correspondence

Stokowski, Leopold and Brooks Shepard

Year: 1964-1964
Complete Citation:
Stokowski, Leopold and Brooks Shepard. Lettters. “Correspondence with Leopold Stokowski, 1963-1964,” 1963-1964, Edwin A. Fleisher Music Collection, Irving S. Gilmore Music Library, Yale University, New Haven, Connecticut.
Notes:

Comprises 2 letters from Stokowski to Brooks Shepard, Librarian, concerning Charles Ives’ Fourth Symphony.

Source: Archival Material
II. Reference Materials
E. Correspondence

Wyatt, Judith

Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.
Notes:

Book review for “The Beaux Arts Trio: A Portrait”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

no author listed

Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.
Source: Journal
V. General Music Studies
B. Special Issue Journals
Year: 2004
Complete Citation:
Various abstracts. Musik-Konzepte 123: Charles Ives (January 2004): 123-125.
Source: Chapter in Book
V. General Music Studies
B. Special Issue Journals