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Bibliography

Mitchell, Charles P.

Year: 2004
Complete Citation:
Mitchell, Charles P. The great composers portrayed on film, 1913 through 2002. Jefferson, NC: McFarland, 2004.
Source: Book
II. Reference Materials
F. Selected Archival Materials

Moore, MacDonald Smith

Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.
Source: Ph. D. Disseration
Reprints:

Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mulligan, Terry Gilbert

Year: 1978
Complete Citation:
Mulligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instrument.” Ph.D. Diss., University of Texas at Austin, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mumper, Dwight Robert

Year: 1971
Complete Citation:
Mumper, Dwight Robert. “The First Piano Sonata of Charles Ives.” D.M.A. diss., Indiana University, 1971.
Source: D.M.A. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Muñiz, Jorge

Year: 2004
Complete Citation:
Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.
Notes:

Includes references to Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Nicholls, David Roy

Year: 1986
Complete Citation:
Nicholls, David Roy. “New and Experimental Compositional Tech- niques in American Music from Charles Ives to the Second World War.” Ph.D. diss., University of Cambridge, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

North, William Sills Wright

Year: 1965
Complete Citation:
North, William Sills Wright. “Ned Rorem as a twentieth century song composer.” D.M.A. diss., University of Illinois, 1965.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

O’Donnell, Shaugn J.

Year: 1997
Complete Citation:
O’Donnell, Shaugn J. “Transformational voice leading in atonal music.” Ph.D. diss., City University of New York, 1997.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

O’Kelly, Kevin

Year: 1989
Complete Citation:
O’Kelly, Kevin. “The Songs of Charles Ives and the Cultural Contexts of Death.” Ph.D. diss., University of North Carolina, 1989.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Osowski, Kenneth M.

Year: 2005
Complete Citation:
Osowski, Kenneth M. “The continuing spirit of Emerson and Beethoven in Ives's Concord sonata.” D.M.A. thesis, Peabody Conservatory of Music, 2005.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Owens, Thomas Clarke

Year: 1999
Complete Citation:
Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Owens, Tom (editor)

Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Palmer, Kenneth Robert

Year: 1986
Complete Citation:
Palmer, Kenneth Robert. “A performer's guide to Charles Ives' piano sonata no. 2 "Concord, Mass., 1840-1860"; Quintet for piano and strings.” Ph.D. diss., Washington University, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Park, Hyun

Year: 2008
Complete Citation:
Park, Hyun. “Selected American Violin Works and their European Context.” D.M.A. diss., University of Maryland, College Park, 2012.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Paul, David Christopher

Year: 2006
Complete Citation:
Paul, David Christopher. “Converging paths to the canon: Charles Ives, Gustav Mahler, and American culture.” Ph.D. Diss., University of California, Berkeley, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Perlis, Vivian

Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1991
Complete Citation:
Perlis, Vivian. “Charles Ives and Oral History.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Source: Conference paper
II. Reference Materials
F. Selected Archival Materials

Perlis, Vivian and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.
Notes:

Volume 1 has an accompany ing compact disc from the Yale Oral History Archives with Ives -related interviews.

Source: Book
II. Reference Materials
F. Selected Archival Materials