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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Fuller, Donald

Year: 1942
Complete Citation:
Fuller, Donald, “New York Mid-Season, 1942-’43.” Modern Music XX, 1 (November-December 1942): 113.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Fuller, Donald. “Airborne over New York.” Modern Music XXIII 2 (Spring 1946): 120.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Fuller, Donald. “Forecast and Review.” Modern Music XXIII, 3 (Summer 1946): 201.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gann, Kyle

Year: 1996
Complete Citation:
Gann, Kyle. “Heaven Enough.” Village Voice 41/26, June 25, 1996, 62.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Gann, Kyle. “That Grumpy Old Pianist Is Ives.” New York Times, Febru-ary 20 2000, sec. B, 34.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Gann, Kyle. “Not Gift Wrapped: New Frederic Rzewski Discs Reveal a Thinking Person's Postmodern Music.” The Village Voice, Vol. 48, No. 6 (2003): 101.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
Gann, Kyle. Music Downtown: Writings from the Village Voice. Berke-ley, CA: University of California Press, 2006.
Notes:

Several citations, especially “Pulit-zer Hacks: Amateur Composers versus the Professionals” (p. 121--123) and “Composer’s Clearing House: The Pulitzer Prize” (p. 123--125).

Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gantz, Jeffrey

Year: 2011
Complete Citation:
Gantz, Jeffrey. “Schuller and Alea III Perform Ives Works in all their Glory.” The Boston Globe, November 19, 2011.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Garvelmann, Donald

Year: 1977
Complete Citation:
Garvelmann, Donald. “Immersed in Ives.” The American Record Guide 40, no. 9 (August 1977): 16-19.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gatens, William J.

Year: 2006
Complete Citation:
Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gatito, El

Year: 2007
Complete Citation:
Gatito, El. “Art of Darkness.” Philadelphia Weekly, June 27, 2007.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gawthrop, Daniel E.

Year: 1988
Complete Citation:
Gawthrop, Daniel E. “Richard Bales’ Early Ives.” The Washington Post, May 30, 1988, C2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block and J. Peter Burkholder, compilers

Year: 1888-1951
Complete Citation:
Geoffrey Block and J. Peter Burkholder, compilers. “Selected Reviews 1888-1951.” In Ives and His World, edited by J. Peter Burkholder, 273-362. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block, compiler

Year: 1996
Complete Citation:
Geoffrey Block, compiler. “Selected Reviews 1888-1951.” In Charles Ives and His World, edited by J. Peter Burkholder, 273-360. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

George, Phillip; Alburger, Mark

Year: 2003
Complete Citation:
George, Phillip and Mark Alburger. “Concert Reviews: Making the Most of Not Making the Most; Three (or Four) Great Orchestrators at San Francisco Symphony.” 21st Century Music, Vol. 10, No. 6, (2003): 3.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gereben, Janos

Year: 2000
Complete Citation:
Gereben, Janos. “Concert Reviews: The Fourth of Faith.” 21st Century Music, Vol. 7, No. 8, (2000): 21.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Gereben, Janos. “Views, Reviews, Previews: ‘Rake’ Progresses at SFO; Ives Rules at Symphony ‘Mavericks.’” Oakland Post, 2000.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gibbens, John Jeffrey

Year: 1989
Complete Citation:
Gibbens, John Jeffrey. “Debussy, counterpart and rejected model: an essay on Charles Ives.” Unpublished Manuscript, 1989.
Notes:

Originally commissioned for a collection of essays edited by Geoffrey Block

Source: Unpublished Manuscript
II. Reference Materials
F. Selected Archival Materials

Gilman, Lawrence

Year: 1939
Complete Citation:
Gilman, Lawrence. “Music: A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
Reprints:

Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” In <i>Charles Ives and His World</i>, 316-321. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances