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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kirkpatrick, John

Year: 1958
Complete Citation:
Kirkpatrick, John. Charles E. Ives (1874-1954)—2nd String Quartet (1907-1913): A Tentative Comparison of Ives’s Autograph Pencil Sketch with the Published Small Score (New York: Peer International, 1954). Cornell University, Ithaca, NY, 1958.
Source: Unpublished Typescript
II. Reference Materials
F. Selected Archival Materials
Year: 1961
Complete Citation:
Kirkpatrick, John. 1961. “Ives, Transcendentalist in Music.” Typescript for talk given October 26. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S.Gilmore Music Library. Yale University. New Haven, Connecticut.
Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1963
Complete Citation:
Kirkpatrick, John. “What Music Meant to Charles Ives,” Cornell University Music Review, Vol. 6 (1963).
Notes:

Given as a talk at Ithaca College on May 22, 1963 (for the chapter of Pi Kappa Lambda).

Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1963
Complete Citation:
Kirkpatrick, John. Typescript. “Charles E. Ives, 1874-1954: Trio for violin, cello and piano (1904-1911 in Ives's list). Comparison of sources compiled in 1962-1963, using the measure-numbering of the Peer edition,” 1963, Cornell University Library, Ithaca, New York.
Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: Year unlisted
Complete Citation:
Kirkpatrick, John. “Players Apology.” Preface to the unpublished edition of Charles Ives’ Concord Sonata. Unpublished manuscript.
Source: Unpublished preface
II. Reference Materials
F. Selected Archival Materials

Kirkpatrick, John, comp./ed.

Year: 1964
Complete Citation:
“Additional Ives Letters, Mostly 1907--1908,” compiled and edited by John Kirkpatrick (July 1964). Charles Ives Papers. Irving S. Gilmore Library, Yale University, New Haven, CT. Microfilm copy.
Source: Archival Material
II. Reference Materials
F. Selected Archival Materials

Knapp, David

Year: 2013
Complete Citation:
Knapp, David. “Music Received.” Notes 69/4 (2013): 817-827.
Source: Journal
V. General Music Studies
C. Other

Kolleritsch, Otto

Year: 1987
Complete Citation:
Kolleritsch, Otto. Entgrenzungen in der Musik. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1987.
Source: Book
V. General Music Studies

Kolodin, Irving

Year: 1934
Complete Citation:
Kolodin, Irving. “American Composers and the Phonograph.” Modern Music 1 (March--April 1934) 1/3: 128--133.
Source: Journal
II. Reference Materials
F. Selected Archival Materials

Konold, Wulf

Year: 1974
Complete Citation:
Konold, Wulf. “Arkadien in Neuengland: Zum hundersten Geburtstag von Charles Edward Ives.” Musica 28/5 (1974): 468-469.
Source: Journal
V. General Music Studies

Kostelanetz, Richard

Year: 2008
Complete Citation:
Kostelanetz, Richard. “Proposal for a short book on Charles Ives and the American Imagination.” RichardKostelanetz.com. 2008.
Source: Online Article
II. Reference Materials
F. Selected Archival Materials

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In The time of music: new meanings, new temporalities, new listening strategies. New York, NY: Schirmer Books, 1988.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1991
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In Listening to music: the essential guide to the classical repertoire. London, United Kingdom: Lime Tree, 1991.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Krenek, Ernst

Year: 1937
Complete Citation:
Krenek, Ernst. Music: Here and Now, 79-80. Translated by Bartold Fles. New York, NY: W.W. Norton, 1939.
Source: Book
V. General Music Studies

Křenek, Ernst

Year: 1955
Complete Citation:
Křenek, Ernst. “Charles Ives, 1874-1954.” Schweizerische Musikzeitschrift 95 (1955): 141-144.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1955
Complete Citation:
Krenek, Ernst. “Charles Ives, 1874-1954.” Schweizerische Musikzeitung 95/4 (April 1955): 141-144.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Ladell, Madeleine

Year: 2004
Complete Citation:
Ladell, Madeleine. “Charles Ives: Life & Times.” BBC Music Magazine, Vol. 12, No. 10 (2004): 51.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Laning, Cathy, and Katie Tkach

Year: 1979
Complete Citation:
Laning, Cathy, and Katie Tkach. “Charles Ives: Musical Visionary.” In Redding Remembered. Redding, CT: Redding Oral History Project, 1979.
Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Lang, Paul Henry and Bettmann, Otto

Year: 1960
Complete Citation:
Lang, Paul Henry and Otto Bettmann. A Pictorial History of Music, 232-233. New York, NY: W.W. Norton, 1960.
Notes:

A brief statement. Includes a photograph by Frank Gerratana.

Source: Book
V. General Music Studies
C. Other

Leeuw, Reinbert de

Year: 1965
Complete Citation:
Leeuw, Reinbert de. “Charles Ives.” De Gids 118/7 (1965): 147--149.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles